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El baile flamenco is known for its emotional intensity, proud carriage, expressive use of the arms and rhythmic stamping of the feet, unlike tap dance or Irish dance which use different techniques. As with any dance form, many different styles of flamenco have developed.
Carmen Amaya (2 November 1918 – 19 November 1963) occasionally known by the stage name La Capitana, was a Spanish Romani flamenco dancer and singer, born in the Somorrostro district of Barcelona, Catalonia, Spain. She is often hailed as "the greatest Flamenco dancer ever" [1] and "the most extraordinary personality of all time in flamenco dance."
She began dancing from four years of age [6] and at 19, was inspired by the 1981 flamenco film Blood Wedding to leave university to pursue dancing flamenco professionally. [ 7 ] [ 8 ] [ 9 ] She began to train to be a flamenco dancer in the studio Amor de Dios at Centro Nacional de Arte Flamenco and saved money to continue her training by ...
The livelier speeds are chosen for dancing, while quieter rhythms are preferred for the song alone. One of the structurally strictest forms of flamenco, a traditional dance in alegrías must contain each of the following sections: a salida (entrance), paseo (walkaround), silencio (similar to an adagio in ballet), castellana (upbeat section ...
Cristina Hoyos Panadero (born 13 June 1946) [1] is a Spanish flamenco dancer, choreographer and actress, born in Seville, Spain.After a successful worldwide career, she opened her own dance company in 1988 that premiered at the Rex Theatre in Paris.
Sara Baras is part of the World Philatelic Exhibition held in Madrid and is the female representative of dance in Spain in a limited edition of stamps edited by Correos y Telégrafos. She was the first flamenco woman to have this recognition. 1999; Max Prize for the Performing Arts in the category "Best Female Performer of Dance", for Sensaciones.
María Juncal was born into a family with flamenco roots, the Borrull family. [5]Juncal's family members involved in flamenco history include her grandmother, great-grandmother, great-great-grandmother, aunts, and uncles.
The typical flamenco progression iv, III, II, I (an altered Phrygian cadence) is heard several times during the development of the song. In E altered Phrygian, the progression would be Am, G, F, E (the E chord should be Em in a diatonic Phrygian cadence, but its diatonic third – G – is altered to a G ♯ ).
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