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Psalm 95 is the 95th psalm of the Book of Psalms, beginning in English in the King James Version: "O come, let us sing unto the LORD: let us make a joyful noise to the rock of our salvation". The Book of Psalms starts the third section of the Hebrew Bible , and, as such, is a book of the Christian Old Testament .
For example, the song begins with the heavens who say, "the heavens speak of the glory of God, and of His handiwork the skies tell." (Psalms 19:2) Others describe some characteristic or activity of the speaker, e.g., the book ends with the dogs who say "come, let us prostrate and bend our knees, and kneel before God our maker" (Psalms 95:6).
Psalm 47 :1 Psalm 95 :1–3 Psalm 47 (48):1 Psalm 47 (48):13 Psalm 47 (48):1 Si oblitus fuero tui, Ierusalem Psalm 136 :5 De profundis clamavi ad te, Domine Psalm 129 : 1–5 Si oblitus fuero tui, Ierusalem Psalm 136 (137):5 Isaiah 26:2 Isaiah 52:1 Psalm 136 (137):5 Lauda, Ierusalem, Dominum Psalm 147:12–14 Hajetà alai jad adonài
In the context of Christian liturgy, a canticle (from the Latin canticulum, a diminutive of canticum, "song") is a psalm-like song with biblical lyrics taken from elsewhere than the Book of Psalms, but included in psalters and books such as the breviary. [1]
In the Episcopal Church, the Morning Prayer office opens with an invitatory psalm, either the Venite (Psalm 95:1-7, or the entire psalm on Ash Wednesday, Holy Saturday, and all Fridays in Lent) or the Jubilate (Psalm 100). An invitatory antiphon may appear before, or before and after the invitatory psalm.
"Selah" is the name of the second track on the 2019 album Jesus Is King by Kanye West, [17] which West defined as a term meaning "to look back and reflect upon". [18] According to BibleGateway.com, the title is a reference to Psalm 57:6 of the Bible. [19] "Selah" is the name of a song by R&B/Hip-Hop artist Lauryn Hill.
Gaelic psalm singing has been made widely available through the "Salm" series of albums produced by Lewis native Calum Martin. Three volumes have been released so far, as well as a live album recorded at Celtic Connections entitled Salm and Soul featuring the Gaelic singing paired with an African-American gospel choir.
In the Sacred Harp and other shape note singing traditions, the tune is sung with the text "O Come, Loud Anthems Let Us Sing," a metrical paraphrase of Psalm 95 from Tate and Brady's A New Version of the Psalms of David. The popular Hawaiian version Hoʻonani i ka Makua mau was translated by Hiram Bingham I and is published in hymnals. [10]