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The Tailor (Italian: Il sarto) is an oil on canvas painting by Italian painter Giovanni Battista Moroni, from 1565-1570. It is a portrait of a member of the Marinoni family, who has been traditionally taken to be a tailor practising his art during the work day. The painting is held in the National Gallery, in London. [1]
The work of art itself is in the public domain for the following reason: Public domain Public domain false false This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer .
Original – The Tailor, a painting completed by Giovanni Battista Moroni. It is conventionally understood to depict a tailor from the Marinoni family. Reason Solid smolder... I mean, high quality digitization of a notable painting. Articles in which this image appears The Tailor (Moroni), Doublet (clothing), +4 FP category for this image
The National Gallery (London) has one of the best collections of his work, including the celebrated portrait known as Il sarto (The Tailor).Other portraits are found in the Uffizi (the Nobleman Pointing to Flame inscribed, "Et quid volo nisi ut ardeat?"), Berlin Gallery, the Canon Ludovico de' Terzi and Moroni's self-portrait; and in the National Gallery, Washington, D.C.
The Tailor: circa 1567: Giovanni Battista Moroni: NG697: Supper at Emmaus: 1601: Caravaggio: NG172: The Dead Christ mourned by Two Angels: 1618: Guercino: NG22: The Adoration of the Golden Calf: 1634: Nicolas Poussin: NG5597: The Embarkation of the Queen of Sheba: 1648: Claude Lorrain: NG14: Saints Peter and Dorothy: 1507: Master of the Saint ...
The Tailor (Moroni) This page was last edited on 12 July 2022, at 00:36 (UTC). Text is available under the Creative Commons Attribution-ShareAlike 4.0 ...
The first thing you notice about the paintings of Tidawhitney Lek is the hands. Hands slink around doorways and sofas and emerge out of closets and gutters.
The softness of the brushstrokes seems to bring Moroni's art closer to Venetian painting, but this canvas is certainly more sparse in material, creamy only for the parts of the face and hands, while for the rest of the portrait, there is a reduction in preparation and pigments of color so as to reveal the texture of the canvas. [6] [7]