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The "Fillmore Posters" were among the most notable of the time. Richly saturated colors in glaring contrast, elaborately ornate lettering, strongly symmetrical composition, collage elements, rubber-like distortions, and bizarre iconography are all hallmarks of the San Francisco psychedelic poster art style.
Victor Moscoso (born July 28, 1936) [1] is a Spanish–American artist best known for producing psychedelic rock posters, advertisements, and underground comix in San Francisco during the 1960s and 1970s. He was the first of the rock poster artists of the 1960s era with formal academic training and experience.
Warren Lloyd Dayton is an American illustrator, artist and graphic designer best known for his posters from psychedelic art era, a pioneer of the use of T-shirts as an art medium, creator of corporate branding & logos such as Thomas Kinkade’s Lightpost Publishing, and internationally award-winning book, editorial, commercial illustration and typography.
The celebrated psychedelic rock poster artist was a significant contributor to the Haight-Asbury scene." [9] According to author Eric King, Wilson's posters are among the most collectible from the psychedelic poster scene, with an early first run poster by Wilson for the Tribal Stomp even selling for $16,500 in 2005. [6]
In addition to amassing an encyclopedic collection of psychedelic posters, Kastor established a poster company, Psy-Sol publishing, which printed over fifty posters for Psychedelic Solution exhibitions, and re-published some classics which had gone out of print by artists the gallery represented. [20]
Their posters remain highly sought after. The original artwork for a poster advertising Jimi Hendrix's 1967 concert at the Fillmore Auditorium in San Francisco – depicting the guitarist as a psychedelic Native American chief with a hunting bow in one hand and a peace pipe in the other – was sold in 2008 by Bonhams for $72,000. [7]
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