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The Liber responsorialis, showing on the right-hand page the antiphons for the first night office of Christmas. The associated psalm tones are indicated by number and ending pitch, and the pitches for the ending of the doxology are indicated by the mnemonic Euouae.
The word antiphonary does not therefore clearly describe the contents of the volume or volumes thus entitled, in which are found many chants other than the antiphon per se, such as hymns, responsories, versicles, and responses, psalms, the "Te Deum," the "Venite Adoremus," and so forth. The expression "antiphonal chant" would, however, comprise ...
Does it follow that Gregory was, as John the Deacon says, the compiler of the antiphonary? There are, at least, good reasons for thinking so. One last argument may be cited on his behalf. The series of antiphons in the antiphonary, intended to be sung at the Communion during Lent, are for the most part taken from the Book of Psalms.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
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Gregorian chant is the central tradition of Western plainchant, a form of monophonic, unaccompanied sacred song in Latin (and occasionally Greek) of the Roman Catholic Church.
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The second couplet is sung antiphonally by two cantors of the second choir, and the third couplet by two cantors of the first choir; after each the two choirs respond as above. The nine following reproaches are sung alternately by the cantors of each choir, beginning with the second, with the full choir responding after each reproach with the ...