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Antiphonal music is that performed by two choirs in interaction, often singing alternate musical phrases. [1] Antiphonal psalmody is the singing or musical playing of psalms by alternating groups of performers. [2] The term "antiphony" can also refer to a choir-book containing antiphons.
Antiphon – from Antiphon (I) Let all the world in ev'ry corner sing: My God and King. The heavens are not too high, His praise may thither flie; The earth is not too low, His praises there may grow. Let all the world in ev'ry corner sing: My God and King. The Church with psalms must shout, No doore can keep them out; But above all, the heart
Printed antiphonary (ca. 1700) open to Vespers of Easter Sunday. (Musée de l'Assistance Publique – Hôpitaux de Paris)An antiphonary or antiphonal is one of the liturgical books intended for use in choro (i.e. in the liturgical choir), and originally characterized, as its name implies, by the assignment to it principally of the antiphons used in various parts of the Latin liturgical rites.
Church music is Christian music written ... Antiphonal psalmody is the singing or musical playing ... the Chant tradition was still at the heart of Church music ...
Now it proves to be these very Thursdays which interrupt the order that the remaining days of the week would otherwise show. No more precise and decisive accumulation of proof could possibly be wished for. We thus grasp the chronological element at the moment of its interpolation into the very heart of the antiphonary.
Introits are antiphonal chants, typically consisting of an antiphon, a psalm verse, a repeat of the antiphon, an intonation of the Gloria Patri Doxology, and a final repeat of the antiphon. Reciting tones often dominate their melodic structures.
Antiphonal psalm that is said or read before the Gospel at Mass. Normally the psalm is taken from the lectionary and has some bearing on the particular text from Scripture. After the second reading and before the Gospel the Alleluia is either sung or read, followed by its appropriate verse.
In half-chanting (which is more true to antiphonal singing in the Gregorian style), decani sing the first two quarters of the chant, and cantoris the next two quarters (so that each half-choir sings a whole verse at a time). With antiphonal singing, the first two verses, the Gloria and perhaps the last two verses are often sung by the whole choir.