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The Pension Program for the Elderly (PPE) is a safety net, noncontributory pension program administered by the federal Secretariat of Social Development (SEDESOL) in Mexico. The program aims to expand the schemes of universal social security, by providing financial support and social protection to people 65 or older who a) do not benefit from ...
In 1960, Ballet Society raised funds to implement a new program at the New York City Ballet. This program allowed for 3000 underprivileged children to come to a matinee performance of the ballet, meet the dancers and have exposure to live performance. The program continues to this day at the New York City Ballet.
Catazaro became an apprentice with the New York City Ballet in 2007. At this time, he performed a principal role in the revival of Jerome Robbins' Watermill. He became a member of the Corps de Ballet in 2008, performing featured roles such as the male lead in Diamonds from Jewels, [2] the Cavalier in The Nutcracker and Shakespeare's comedic and temperamental Demetrius in A Midsummer Night's ...
The companies count among the world’s very best by any estimation: Alvin Ailey American Dance Theater, American Ballet Theatre, Ballet Hispanico, Dance Theatre of Harlem, and New York City Ballet.
The purpose of these two 1980s-era programs was "so that there was no way you could 'double dip' into both a federal pension and Social Security," explains Jill Schlesinger, CBS News business analyst.
At 17, Kretzschmar moved to New York City to attend the School of American Ballet at Lincoln Center, where she studied under Suki Schorer, Suzi Pillare, Kay Mazzo, Peter Martins, Sean Lavery, and Andrei Kramarevsky. [3] [2] In 2010, she joined the New York City Ballet as an apprentice. In 2011, Kretzschmar was promoted into the corps de ballet.
The photobook “New York City Ballet: Choreography & Couture” chronicles the decade-long relationship between the dance company and elite fashion designers. An iconic collaboration between the ...
She joined the New York City Ballet in 1986, was promoted principal dancer in 1991, and retired in 2002. She served as the director of the Boston Ballet School between 2007 and 2021, dean of the Colburn School's Trudl Zipper Dance Institute since 2023, and slated to become the artistic director of Canada's National Ballet School in 2024.