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Doreen J. Ketchens (born October 3, 1966) is an American jazz clarinetist who performs Dixieland and trad jazz.She has performed at concert halls, music festivals, and U.S. embassies, as well as in decades of weekly performances in Dixieland's tradition in the Royal Street Performing Arts Zone in the French Quarter of New Orleans with her band, Doreen's Jazz New Orleans.
Doreen's Jazz New Orleans is a Dixieland and Traditional Jazz band created and led by clarinetist Doreen Ketchens. The group has toured the world, and performs in the Royal Street Performing Arts zone in the French Quarter of New Orleans, at jazz festivals, fairs, showcases, and concert halls. [ 1 ]
Tuba Skinny is a traditional jazz street band based in New Orleans, Louisiana. The band's instrumentation includes cornet, clarinet, trombone, tuba, tenor banjo, guitar, frottoir, and vocals. The ensemble draws its inspiration from the early jazz, ragtime, and blues music of the 1920s and 1930s. [1]
The New Orleans Jazz Club presented "Pete Fountain Day" on October 19, 1959, with celebrations honoring the pride of their city, concluding with a packed concert that evening. His Quintett was made up of his studio recording musicians, Stan Kenton 's bassist Don Bagley, vibeist Godfrey Hirsch, pianist Merle Koch, and the double bass drummer ...
King of the Clarinet: Artie Shaw; King of Cool: Dean Martin; King of Jazz: Paul Whiteman; King of the Jazz Guitar: Django Reinhardt; King of the Jukebox: Louis Jordan; King of Swing: Benny Goodman a.k.a. "the Patriarch of the Clarinet", "the Professor", "Swing's Senior Statesman" Klook-Mop or Klook: Kenny Clarke; Knife (The): Pepper Adams
Early New Orleans jazz bands had habaneras in their repertoire and the tresillo/habanera figure was a rhythmic staple of jazz at the turn of the 20th century. Comparing the music of New Orleans with the music of Cuba, Wynton Marsalis observes that tresillo is the New Orleans "clave". [25]
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[100] [85] By that time, an interest in Dixieland, a revival of traditional New Orleans jazz, had begun. Pete Fountain was one of the best known performers in this genre. [100] [101] The clarinet's place in the jazz ensemble was usurped by the saxophone, which projects a more powerful sound and uses a less complicated fingering system. [102]