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The song was widely used by the Chinese government in turn-of-the-century official events, [16] but became censored [19] after the 2011 Chinese pro-democracy protests, also called the Jasmine ("Mo li hua") Revolution, [21] which used the song as a deniable and hard-to-block way of expressing support for democracy.
Although "pop music" can be used to describe any music that is popular, pop music refers to songs with a simple melody and beat, having a repetitive structure, and is easy to sing along. Rock Music with heavy use of guitar, drums, bass; strong beat. Soft rock A genre of rock music, using similar instruments and others such as the piano.
"The Wandering Songstress" was performed in a traditional Chinese vocal style, accompanied by Chinese music instruments such as erhu, pipa, and sanxian in the manner of a Jiangnan ballad. According to He, the recording was done quickly as Zhou Xuan grasped the idea of how the song should be performed very quickly.
Also called "Patriotic Song" (愛國歌), "How Great is Our China!" (泱泱哉，我中華！) has lyrics written by Liang Qichao and music by overseas Chinese at Datong School (大同學校), Yokohama. Released in 1912, it became quite popular, especially among students. [1]
This type of music typically employs Chinese national vocal (minzu) vocals, with content focused on reflecting national history and culture or promoting the "main melody" — praising the Chinese Communist Party, the minzu, and the People's Liberation Army. Representative singers include Song Zuying, Peng Liyuan, Wang Hongwei. [1] [2]
The title of the song is based on a popular slogan of the Red Guard, [1] and was used widely during the Cultural Revolution in public demonstrations and rallies. However, since the end of the Mao era, the song has become more scarcely used due to its links to Mao's pervasive personality cult. However, the instrumental version of the song is ...
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Fengyang Flower Drum (simplified Chinese: 凤阳花鼓; traditional Chinese: 鳳陽花鼓; pinyin: Fèng yáng huāgǔ) is a traditional Chinese folk song, a form of Quyi, from Fengyang County, Anhui Province that was developed during the late Ming Dynasty. Originally, it was performed by two seated female singers (usually sisters-in-law).