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Franklin Booth (July 18, 1874 – August 25, 1948) was an American artist known for his detailed pen-and-ink illustrations. He had a unique illustration style based upon his early recreation of wood engraving illustrations with pen and ink. His skill as a draftsman and style made him a popular magazine illustrator in the early 20th-century.
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Before Coll started an illustration, he would contemplate on the design of the composition for a long while, which allowed him to draw without a model. [5] Later in his career, when he was able to use a model, he would draw a shaded image of the model with pencils on tracing paper, after which he would darken the backs of the tracing paper and retrace onto bristol board or illustration board. [7]
But a number of different men served as models, and some developed successful careers in theater, film, and television. Among the models were Brian Donlevy, Fredric March, Jack Mulhall, Neil Hamilton, Ralph Forbes, and Reed Howes. [13] Among the men who modeled most frequently for Leyendecker was the Canadian-born Charles A. Beach (1881
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Charles Burns's earliest works include illustrations for the Sub Pop fanzine, and Another Room Magazine of Oakland, but he came to prominence when his comics were published for the first time in early issues of RAW, the avant-garde comics magazine founded in 1980 by Françoise Mouly and Art Spiegelman. In 1982, Burns did a die-cut cover for RAW #4.
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The RCA Building in December 1933 during the construction of Rockefeller Center. The photograph depicts eleven men eating lunch while sitting on a steel beam 850 feet (260 meters) above the ground on the sixty-ninth floor of the near-completed RCA Building (now known as 30 Rockefeller Plaza) at Rockefeller Center in Manhattan, New York City, on September 20, 1932.