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"Lovely Day" is a song by American soul and R&B singer Bill Withers. Written by Withers and Skip Scarborough , it was released on December 21, 1977, and appears on Withers's sixth album, Menagerie (1977).
In 1988, a new version of "Lovely Day" from the 1977 Menagerie album, entitled "Lovely Day (Sunshine Mix)" and remixed by Ben Liebrand was released. The original release had reached number 7 in the UK in early 1978, and the re-release climbed higher to number 4. [30]
"It's a Lovely Day Today" is a popular song written by Irving Berlin for his successful musical Call Me Madam (1950) when it was introduced by Russell Nype and Galina Talva. [1] The musical was adapted as a movie in 1953 and the song "It's a Lovely Day Today" was performed by Donald O'Connor and Vera-Ellen (dubbed by Carol Richards ).
"A Lovely Day Tomorrow" was an entirely different song released as a one-off single from band British Sea Power in 2004 to celebrate the entry of Czech Republic into the European Union. The song deals with the assassination of Reinhard Heydrich by two Czechoslovak agents during World War II.
In one of the final videos that appeared to be from four days ago, Payne wrote "Lovely day in Argentina" and showed himself "enjoying coffee and breakfast" at 1 p.m. with Cassidy.
His 1935 version was assessed as reaching the No. 3 spot in the charts of the day. [1] In 1953, he included the song in his album The Astaire Story. His final recording was in 1975 and the song was included in the album The Golden Age Of Fred Astaire. [2] Phil Ohman - his 1935 recording was assessed as reaching the No. 16 spot in the charts of ...
"Lovely" is a song by American singers Billie Eilish and Khalid. Darkroom and Interscope Records released it as the lead single from the Netflix drama series 13 Reasons Why ' s second season soundtrack. The artists wrote the song with Eilish's brother and producer Finneas O'Connell.
Porter in the 1930s. Cole Albert Porter (June 9, 1891 – October 15, 1964) was an American composer and songwriter. Many of his songs became standards noted for their witty, urbane lyrics, and many of his scores found success on Broadway and in Hollywood films.