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The Loft was the location for the first underground dance party (called "Love Saves the Day") organized by David Mancuso, on February 14, 1970, in New York City.Since then, the term "The Loft" has come to represent Mancuso's own version of a non-commercial party where no alcohol, food, nor beverages are sold.
The double LP live album represents the height of ‘70s rock excess, so leave it to the longwinded prog rockers of Yes to swing for the fences with a triple live album, complete with a Yessongs ...
The 1970s was an era that produced some of the greatest live albums in history. In the previous decade, artists and producers took great pains to make studio albums sound as spotless and pristine ...
October 26, 1974 was the premiere week of a dance-related chart in Billboard. Originally called Disco Action , the chart ranked the popularity of tracks in New York City discothèques , expanded to feature multiple charts each week which highlighted playlists in various cities such as San Francisco , Los Angeles , Miami , Chicago , Boston ...
Sounds of the Seventies was a 40-volume series issued by Time-Life during the late 1980s and early-to-mid 1990s, spotlighting pop music of the 1970s.. Much like Time-Life's other series chronicling popular music, volumes in the "Sounds of the Seventies" series covered a specific time period, including individual years in some volumes, and different parts of the decade (for instance, the early ...
"The Broadway Song" by Cy Coleman and David Zippel "Broadway Star" by Barrabás "Broadway Stroll" by Manhattan Jazz Quintet "The Broadway Swell and the Bowery Bum" by Frank Harding "Broadway To The Bridge" by Philip D'Arrow "The Broadway Triangle" music by Harry Carroll and Sigmund Romberg; lyrics by Harold Atteridge
Dancin ' is a musical revue created, directed, and choreographed by Bob Fosse and originally produced on Broadway in 1978. The plotless, dance-driven revue is a tribute to the art of dance, and the music is a collection of mostly American songs, many with a dance theme, from a wide variety of styles, from operetta to jazz to classical to marches to pop.
Live Songs was released in April 1973 and was a commercial disappointment. It would be the last Cohen LP to make the U.S. charts for more than a decade. In the book Various Positions, Cohen biographer Ira Nadel deemed Live Songs "uneven but spontaneous. The mood was somber, the songs full of darkness, and the cover photo haunting...Reaction to ...