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The Last Supper (Italian: Il Cenacolo [il tʃeˈnaːkolo] or L'Ultima Cena [ˈlultima ˈtʃeːna]) is a mural painting by the Italian High Renaissance artist Leonardo da Vinci, dated to c. 1495–1498, housed in the refectory of the Convent of Santa Maria delle Grazie in Milan, Italy.
[15] Author Henry James later wrote, "[The Last Supper is] the saddest work of art in the world." [15] The Last Supper was almost completely lost on August 16, 1943, at the height of World War II in Italy, [16] when a Royal Air Force bomb struck Santa Maria delle Grazie, destroying the roof of the refectory and demolishing other nearby spaces ...
Leonardo da Vinci's the "Last Supper" is visited by over 460,000 tourists each year, making it one of the top 10 most visited attractions in all of Italy. ... "His work of art represents the Last ...
The Last Supper is the final meal that, in the Gospel accounts, Jesus shared with his apostles in Jerusalem before his crucifixion. [2] The Last Supper is commemorated by Christians especially on Holy Thursday. [3] The Last Supper provides the scriptural basis for the Eucharist, also known as "Holy Communion" or "The Lord's Supper". [4]
The Italian polymath Leonardo da Vinci (1452–1519) was the founding figure of the High Renaissance, and exhibited enormous influence on subsequent artists.Only around eight major works—The Adoration of the Magi, Saint Jerome in the Wilderness, the Louvre Virgin of the Rocks, The Last Supper, the ceiling of the Sala delle Asse, The Virgin and Child with Saint Anne and Saint John the Baptist ...
First, the classical image of the Last Supper comes from da Vinci’s painting. It doesn’t represent the reality of what the Last Supper looked like. It doesn’t represent the reality of what ...
Art historians pointed out that the scene is not a parody of “The Last Supper” but rather inspired by “The Feast of the Gods,” a 17th century painting of the Greek Olympian gods, by Jan ...
The Transfiguration is the last painting by the Italian High Renaissance master Raphael.Cardinal Giulio de Medici – who later became Pope Clement VII (in office: 1523–1534) – commissioned the work, conceived as an altarpiece for Narbonne Cathedral in France; Raphael worked on it in the years preceding his death in 1520. [1]
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