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The Messiah (Māšîaḥ) is an Old Testament Hebrew word meaning "the Anointed One", which in New Testament Greek is Christ, a title given to Jesus of Nazareth, known by his followers as "Jesus Christ". Handel's Messiah has been described by the early-music scholar Richard Luckett as "a commentary on [Jesus Christ's] Nativity, Passion ...
Messiah is not a typical Handel oratorio; there are no named characters, as are usually found in Handel's setting of the Old Testament stories, possibly to avoid charges of blasphemy. It is a meditation rather than a drama of personalities, lyrical in method; the narration of the story is carried on by implication, and there is no dialogue.
Hello Love is the fifth studio album by Chris Tomlin, released on September 2, 2008.It debuted at No. 9 on the Billboard 200 with 52,000 units, his best sales and charting week to date. [3]
O Come, Divine Messiah is a popular Christian hymn for the season of Advent before Christmas. It recalls the time of waiting of the people of Israel before the birth of Christ. This song is at the same time a call to adore Jesus Christ present in the Eucharist. The melody is taken from an old Christmas song of the 16th century, Let your beasts ...
"Come, Thou Long Expected Jesus" is a 1744 Advent and Christmas carol common in Protestant hymnals. The text was written by Charles Wesley . It is performed to one of several tunes, including "Stuttgart" (attr. to Christian Friedrich Witt ), [ 1 ] " Hyfrydol " (by Rowland Prichard ), [ 2 ] and "Cross of Jesus" (by John Stainer ).
"Hallelujah!" is a 1992 song from Handel's Messiah: A Soulful Celebration, a Grammy award winning Reprise Records concept album. The song is a soulful re-interpretation of the "Hallelujah" chorus from Messiah, George Frideric Handel's well-known oratorio from 1741.
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Messiah is not a typical Handel oratorio; there are no named characters, as are usually found in Handel’s setting of the Old Testament stories, possibly to avoid charges of blasphemy. It is a meditation rather than a drama of personalities, lyrical in method; the narration of the story is carried on by implication, and there is no dialogue.
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