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Pheran is a corruption of the Persian word 'perahan' which means cloak. [7] The outfit has been in vogue in Kashmir since before the 15th century. [8]Before the advent of Islamic influence, the people of Kashmir used to wear a loose gown-type leather doublet instead of pheran, as recorded by Hiuen-Tsang.
In many Asian countries, red is the traditional color for a wedding dress today, symbolizing joy and good fortune.. In India, brides traditionally wear a red sari, called the sari of blood, offered by their father, signifying that his duties as a father are transferred to the new husband, and as a symbol of his wish for her to have children.
In Indian culture, the wedding dress of the bride comes from the groom's side as a shagun. Red is considered to be the most auspicious color among Hindus. While the sari is preferred as the bridal dress in South India , West , East India , traditional wear such as the mekhela sador is preferred in North-east India and brides of the North of ...
It is the traditional dress of women in Kerala, a state in the southwestern part of India. [34] [35] The basic traditional piece is the mundu or lower garment which is the ancient form of the saree denoted in Malayalam as 'Thuni' (meaning cloth), while the neriyathu forms the upper garment the mundu. [34] [35] Mekhela Sador
A Lady in Red or Red Lady is a type of female ghost, similar to the White Lady, but according to legend is more specifically attributed to a jilted lover, killed in a fit of passion, or woman of vanity. In all cases, the Lady in Red is wearing a scarlet or blood red dress. She is said to typically be friendly in disposition, with a story ...
The red dress effect, which can be broadened to the general red-attraction effect, the red-romance effect, or the romantic red effect, is a phenomenon [clarification needed] in which the color red increases physical attraction, sexual desire, and romantic sentiments in comparison to other colors.
The female figure is a black woman dressed in a red bodice similar to that worn by Metsu's wife Isabella de Wolff in a portrait he painted soon after their wedding in Enkhuizen in 1658. Like other contemporary Leiden fijnschilders , Metsu has chosen the subject of a niche or window to frame his subject.
This cotton industry added to the richness of Punjabi clothing which exhibits Punjab's rich and vibrant culture in its dresses. [3] [4] Various types of dresses are worn based on different Punjabi festivals, local events and ceremonies. Along with different traditional dresses special types of ornaments are also very common. [5]