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Surya Films 1931 Dhoomakethu: Sundarrao Natkarni 1931 Discarded Love: Suryaprakash Film Company 1931 Martyr: Sundarrao Natkarni 1931 Gamble of Life: Baburao 1931 Hero of the wilds: T Prakash 1931 Jaw Breaker: 1931 Kidnapped Bride: V.K. Patil 1931 Thief of Iraq: K.P. Bhave 1932 Rajadhi Raja: 1932 Chota Chor: Surya Films 1932 Hari Maya: Mysore ...
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Raja Harishchandra (transl. King Harishchandra) is a 1913 Indian silent film directed and produced by Dadasaheb Phalke. It is often considered the first full-length Indian feature film. Raja Harishchandra features Dattatraya Damodar Dabke, Anna Salunke, Bhalchandra Phalke and Gajanan Vasudev Sane.
The Bypass is a 2003 Indian-British short silent crime film written and directed by Amit Kumar starring Nawazuddin Siddiqui, Irfan Khan and Sundar Dan Detha. The Bypass was filmed on a stranded road somewhere in Rajasthan, India. [1] The film was shown at the Edinburgh International Film Festival and Aubagne Film Festival. [2] [3]
The film is listed among News18's "hundred greatest Indian films of all time". [45] It was also listed by Rediff.com in its list "Singeetham's gems before Christ". [ 46 ] On Haasan's birthday, 7 November 2015, Latha Srinivasan of Daily News and Analysis considered Pushpaka Vimanam to be one of the "films you must watch to grasp the breadth of ...
Suchet Singh, a silent film director and comparable to Dadasaheb Phalke and S. N. Patankar in the pre-studio era, died in a car crash in 1920. He established the Oriental Film Company in 1919 and directed four films in 1920, Mrichhakatik based on King Shutraka's play of the same name, Rama Or Maya, Doctor Pagal and Narsinh Mehta. [9]
Bhakta Vidur (Hindi: भक्त विदुर, "Devotion of Vidura") is a 1921 silent Indian film directed by Kanjibhai Rathod and made under Kohinoor Film Company banner. [1] In this film the Hindu mythological character Vidura was moulded on the personality of Mohandas Karamchand Gandhi. This was the first Indian film to face a ban. [2 ...
Silent films became less vaudevillian in the mid-1910s, as the differences between stage and screen became apparent. Due to the work of directors such as D. W. Griffith, cinematography became less stage-like, and the development of the close up allowed for understated and realistic acting.
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