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A first century AD head of a Cyclops from the Roman Colosseum. In Greek mythology and later Roman mythology, the Cyclopes (/ s aɪ ˈ k l oʊ p iː z / sy-KLOH-peez; Greek: Κύκλωπες, Kýklōpes, "Circle-eyes" or "Round-eyes"; [1] singular Cyclops / ˈ s aɪ k l ɒ p s / SY-klops; Κύκλωψ, Kýklōps) are giant one-eyed creatures. [2]
Polyphemus (/ ˌ p ɒ l i ˈ f iː m ə s /; Ancient Greek: Πολύφημος, romanized: Polyphēmos, Epic Greek: [polypʰɛːmos]; Latin: Polyphēmus [pɔlʏˈpʰeːmʊs]) is the one-eyed giant son of Poseidon and Thoosa in Greek mythology, one of the Cyclopes described in Homer's Odyssey.
The following is a family tree of gods, goddesses, and other divine and semi-divine figures from Ancient Greek mythology and Ancient Greek religion. Chaos The Void
The Greek name Γαῖα (Gaia Ancient Greek: or ) is a mostly epic, collateral form of Attic Γῆ (Gē), and Doric Γᾶ (Ga), [3] perhaps identical to Δᾶ (Da), [6] both meaning "Earth". Some scholars believe that the word is of uncertain origin. [7] Beekes suggested a probable Pre-Greek origin. [8]
In Greek mythology, the primordial deities are the first generation of gods and goddesses.These deities represented the fundamental forces and physical foundations of the world and were generally not actively worshipped, as they, for the most part, were not given human characteristics; they were instead personifications of places or abstract concepts.
Arges is a child of Gaia and Uranus, and his siblings include his fellow cyclopes, Brontes and Steropes, along with the Titans and the Hecatoncheires. [4] After his birth, Uranus is said to have locked Arges and his cyclopes brothers in Tartarus out of fear, along with the Hundred Handed Ones. [5]
[2] [5] In Homer's Iliad, Poseidon supports the Greeks against the Trojans during the Trojan War; in the Odyssey, during the sea-voyage from Troy back home to Ithaca, the Greek hero Odysseus provokes Poseidon's fury by blinding his son, the Cyclops Polyphemus, resulting in Poseidon punishing him with storms, causing the complete loss of his ...
Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued.