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Each aspect of Vajrayoginī's form and mandala is designed to convey a spiritual meaning. For example, her brilliant red-colored body symbolizes the blazing of her tummo ( candali ) or "inner fire" of spiritual transformation as well as life force ( Shakti ), blood of birth and menstrual blood. [ 9 ]
Other forms of the deities are also known with varying numbers of limbs and features, such as a two armed version. According to the Buddhist Tantric scholar Abhayakaragupta, the deity's mandala is described thus: In the Samvara mandala there is a variegated lotus atop Mount Sumeru within an adamantine tent (vajrapañjara). Placed on it is a ...
Often, Vajravarahi is conflated iconographically with Vajrayogini. She is sometimes called the 'two-faced' Vajrayogini ( shal nyi ma ) [ 7 ] because of the sow's head. The major iconographic differences are reflected in Vajravarahi's dancing posture and her sow's head symbol, while Vajrayogini is in a standing posture, has a damaru (drum) in ...
It is typically a methodically striven system, consisting of voluntarily chosen specific practices which may include Tantric items such as mantras (bijas), geometric patterns and symbols (mandala), gestures (mudra), mapping of the microcosm within one's body to the macrocosmic elements outside as the subtle body (kundalini yoga), assignments of ...
In 1960 and 1961, after he and the Dalai Lama had fled to India, he gave the Dalai Lama the major empowerments of Heruka Five Deities according to Ghantapa, Vajrayogini according to Naropa, and other initiations. In 1962 he gave him the empowerment of the Body Mandala of Heruka and taught generation stage and completion stage of this Tantra.
Seeing one's body as the body of the deity which is a manifestation of the Dharmakaya; Seeing one's environment as the pure land or mandala of the deity; Perceiving one's enjoyments as the enjoyments of a Buddha, free from any attachment; Seeing one's actions as the supreme activities of a Buddha's ripening sentient beings
The Vidhyeshvari Vajra Yogini Temple - also known as the Bijeśvarī Vajrayoginī, [2] Bidjeshwori Bajra Jogini, [3] Bijayaswar, Bidjeswori, or Visyasvari Temple [1] - is a Newar Buddhist temple in the Kathmandu valley dedicated to the Vajrayāna Buddhist deity Vajrayoginī (or Bajra Jogini in the Newar language) in her form as Akash Yogini.
In the Sādhanamālā, she is said to be a transformation or emanation of Vajrayogini. [5] Nārodākinī is readily recognizable by her lunging posture and kapala. Her head is uptilted, poised to imbibe the blood that overflows her kapala, and her right hand brandishes a curved kartika. Nārodākinī's physical attributes are interpreted with ...