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A public screening is the showing of moving pictures to an audience in a public place. The event screened may be live or recorded, free or paid, and may use film, video, or a broadcast method such as satellite or closed-circuit television. Popular events for public screenings include films, sporting events, and concerts.
In the United Kingdom, a public entertainment licence is a form of licence required for some types of public entertainment under certain circumstances. Public entertainment licenses are granted by local authorities. [1] The types of entertainment activities regulated include screening films, music and dance performances, and combat sports ...
British Board of Film Censors 'U' certificate for Berlin Airlift (1949) [9]. The BBFC was established in 1912 as the British Board of Film Censors, under the aegis of the Incorporated Association of Kinematograph Manufacturers, [10] by film trade associations who preferred to manage their own censorship than to have national or local government do it for them.
The licence was originally issued by the General Post Office (GPO), which was then the regulator of public communications within the UK. The GPO also issued licences for home radio receivers powered by mains electricity [64] as well as non removable vehicle mounted radios and was mandated by laws beginning with the Wireless Telegraphy Act 1904 ...
The Security Industry Authority (SIA) is the statutory organisation responsible for regulating the private security industry in the UK.Established as a non-departmental public body in 2003, the SIA reports to the Home Secretary under the terms of the Private Security Industry Act 2001 (c. 12).
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The building is currently on licence to Northern Ireland Screen, who have plans to offer it rent free to film makers. [5] The Paint Hall was the location of the City of Ember in the 2008 film of the same name. [6] Starting in 2010 it was used as the main studio for the HBO fantasy series Game of Thrones, which debuted in April 2011.
A screen quota is a country's legislated policy that enforces a minimum number of days each year for the cinematic screening of that country's own films (and sometimes a minimum number of said films each year) in order to protect the status of those films, primarily as a method of preventing foreign markets from making inroads into the country's domestic film market.