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"The Vatican Rag" takes musical inspiration from ragtime pieces such as "Spaghetti Rag" (1910) and "The Varsity Drag" (1927).[1] [2] A spoken introduction describes the song as a response to the "Vatican II" council—which, among other things, broadened the range of music that could be used in services—and humorously proposes this rag as a more accessible alternative to traditional ...
This is a list of original Roman Catholic hymns. The list does not contain hymns originating from other Christian traditions despite occasional usage in Roman Catholic churches. The list has hymns in Latin and English.
Some pages of the ECP Trial Hymnal containing some songs in some Igorot languages. (Top-right) Nay Chawatem Ay Apo, a song of praise and (below) Os-os Daongan, a wedding song. The Amoy Hymnal published by the Church of the Province of South East Asia. The Amoy Hymnbook showing a song and part of the service in English and Fookien.
The lyrics are the work of Abbot Simon-Joseph Pellegrin in the first half of the 18th century, who composed for the attention of the young Demoiselles de Saint-Cyr at the Maison royale de Saint-Louis many verses on the songs of the old Christmases of France, in order to modernize the text.
A recessional hymn or closing hymn is a hymn placed at the end of a church service to close it. It is used commonly in the Catholic Church ,the Seventh-day Adventist Church , and Anglican Church , an equivalent to the concluding voluntary , which is called a Recessional Voluntary, for example a Wedding Recessional.
Several versions of the hymn are in use in different parts of the world. Many of them are original sets of lyrics in various languages, set to the same tune, theme, and refrain. A popular version dating to 1952 [4] is as follows: Immaculate Mary, your praises we sing, You reign now in splendor with Jesus our King. Ave, Ave, Ave Maria! Ave, Ave ...
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A plain-song setting of the "Prayer", or series of prayers, is given in the Solesmes "Manual of Gregorian Chant" (Rome-Tournai, 1903, 313–5) in plain-song notation, and in a slightly simpler form in modern notation in the "Roman Hymnal" (New York, 1884, pp. 140–3), as also in "Les principaux chants liturgiques" (Paris, 1875, pp. 111–2 ...