Search results
Results from the WOW.Com Content Network
In scene 4, Romeo and Juliet enter the masked ball, sulking at each other. Romeo thinks that Tybalt is Constance and puts his hand on Tybalt's bottom. Constance enters, and Romeo tells her that he loves her. Tybalt sees Romeo kiss Constance and sends Juliet to interrupt them. Romeo introduces Constance to Juliet, and Juliet falls in love with her.
The Three Witches, also known as the Weird Sisters, Weyward Sisters or Wayward Sisters, are characters in William Shakespeare's play Macbeth (c. 1603–1607). The witches eventually lead Macbeth to his demise, and they hold a striking resemblance to the three Fates of classical mythology.
In, again, Macbeth, the entire play "is done upon a stronger and more systematic principle of contrast than any other of Shakespear's plays." [304] He notes that "a certain tender gloom overspreads the whole" of Cymbeline. [31] Romeo and Juliet shows "the whole progress of human life" in which "one generation pushes another off the stage."
There are echoes of and allusions to Shakespeare's tragedies, King Lear, Romeo and Juliet, Macbeth and Hamlet in Wuthering Heights. [ 56 ] [ 57 ] [ 58 ] Another major source of information for the Brontës was the periodicals that their father read, the Leeds Intelligencer and Blackwood's Edinburgh Magazine . [ 59 ]
As Frank explains in his article Shakespeare repeats the word "state" three times throughout the poem with each being a reference to something different. The first "state" referring to the Speaker's condition (line 2), the second to his mindset (line 10), and the third to "state" of a monarch or kingdom (line 14).
A mock-Victorian revisionist version of Romeo and Juliet ' s final scene forms part of the 1980 stage-play The Life and Adventures of Nicholas Nickleby. This version has a happy ending: Romeo, Juliet, Mercutio and Paris are restored to life, and Benvolio reveals he is Paris' love, Benvolia, in disguise. [16]
A minor source which Shakespeare certainly used was Arthur Brooke's The Tragical History of Romeus and Juliet (1562), which was also Shakespeare's source for Romeo and Juliet. Much of Margaret's speech to her army in Act 5, Scene 4 is taken almost verbatim from Brooke.
Shakespeare's poem The Phoenix and the Turtle was first published in Robert Chester's Loves Martyr (1601). The Phoenix and the Turtle (also spelled The Phœnix and the Turtle) is an allegorical poem by William Shakespeare, first published in 1601 as a supplement to a longer work, Love's Martyr, by Robert Chester.