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"I'm Your Captain (Closer to Home)" is a 1970 song written by American musician Mark Farner and recorded by Grand Funk Railroad as the closing track to their 1970 album Closer to Home. Ten minutes in duration, it is the band's longest studio recording.
Billboard described "Getting Closer" as "an uplifting raker in which McCartney's soaring vocals play off strong guitar, keyboards and drum lines." [ 11 ] Cash Box called it "a dynamic, churning pop-rocker," saying that the "slamming guitar and aggressive vocals" were reminiscent of Band on the Run . [ 12 ]
Closer to Home is the third studio album by American rock band Grand Funk Railroad. The album was released on June 15, 1970, by Capitol Records. Recorded at Cleveland Recording Company, the album was produced by Terry Knight. This album reached RIAA gold record status in 1970, making it the group's third gold record in one year.
"Get Closer" is a song by American soft rock duo Seals and Crofts, released as a single in 1976. It is the title track of their eighth studio album, Get Closer and reached No. 6 on the Billboard Hot 100 [2] and No. 2 on the Adult Contemporary chart. Billboard ranked it as the No. 16 song of 1976. [3]
Reviews were generally negative. In the New York Times, Richard Eder wrote “Self-celebration is the affliction of I'm Getting My Act. Its songs and skits spell out the conflicts—the little girl who has to smile for her daddy; the wife who has to pick up her husband's socks and talk baby talk to him; the liberated women who find that men don ...
After getting benched earlier this season, things have shifted dramatically. He won two games in a row, and nearly took down Patrick Mahomes and the Chiefs in Week 12. Young’s arrow is suddenly ...
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
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