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North American Indian Jewelry and Adornment: From Prehistory to the Present. New York: Harry N. Abrams, 1999: 170-171. ISBN 0-8109-3689-5. Haley, James L. Apaches: a history and culture portrait. Norman: University of Oklahoma Press, 1997. ISBN 978-0-8061-2978-5. Karasik, Carol. The Turquoise Trail: Native American Jewelry and Culture of the ...
Free Women of Color with their Children and Servants, oil painting by Agostino Brunias, Dominica, c. 1764–1796.. In the context of the history of slavery in the Americas, free people of color (French: gens de couleur libres; Spanish: gente de color libre) were primarily people of mixed African, European, and Native American descent who were not enslaved.
The beads were integrated in Native American jewelry using various beadwork techniques. Trade beads were also used by early Europeans to purchase African resources, [2] including slaves in the African slave trade. Aggry beads are a particular type of decorated glass bead from Ghana. The practice continued until the early twentieth century.
At that time, the government did not have a separate census designation for Native Americans. Those who remained among the European-American communities were frequently listed as mulatto, a term applied to Native American-white, Native American-African, and African-white mixed-race people, as well as tri-racial people. [43]
This practice of combining African slave men and Native American women was especially common in South Carolina. [38] Native American women were cheaper to buy than Native American men or Africans. Moreover, it was more efficient to have native women because they were skilled laborers, the primary agriculturalists in their communities. [38]
The Free People of Color of New Orleans: An Introduction. Margaret Media, Inc. ISBN 9781508483670. Clark, Emily (2013). The Strange History of the American Quadroon: Free Women of Color in the Revolutionary Atlantic World. The University of North Carolina Press. ISBN 9781469607528. Dominguez, Virginia (1986).
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