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Impressions of Theophrastus Such is a work of fiction by George Eliot (Marian Evans), first published in 1879. It was Eliot's last published writing and her most experimental, taking the form of a series of literary essays by an imaginary minor scholar whose eccentric character is revealed through his work.
In George Eliot's The Mill on the Floss (1860), Mr. Tulliver uses the phrase in discussing Daniel Defoe's The History of the Devil, saying how it was beautifully bound.; The phrase was popularized when it appeared in the 1946 murder mystery, Murder in the Glass Room, by Lester Fuller and Edwin Rolfe: “You can never tell a book by its cover.”
"The Cloister and the Hearth" is Charles Reade's greatest work—and, I believe, the greatest historical novel in the language… there is portrayed so vigorous, lifelike, and truthful a picture of a time long gone by, and differing in almost every particular from own, that the world has never seen its like.
Mary Ann Evans (22 November 1819 – 22 December 1880; alternatively Mary Anne or Marian [1] [2]), known by her pen name George Eliot, was an English novelist, poet, journalist, translator, and one of the leading writers of the Victorian era. [3]
It is easy to be wise after the event; It's Greek to me; It is like juggling sand (Ian Murray) It is never too late; It is no use crying over spilt milk; It is no use locking the stable door after the horse has bolted; It is not enough to learn how to ride, you must also learn how to fall; It is on; It is the early bird that gets the worm
Daniel Deronda is a novel written by English author George Eliot, pen name of Mary Ann Evans, first published in eight parts (books) February to September 1876. [1] It was the last novel she completed and the only one set in the Victorian society of her day.
"It's never too late to go back," Hewitt wrote of the movie, which is already filming. "Julie James is returning. I know what you will be doing next summer!"
T. S. Eliot in 1920, in a photo taken by Lady Ottoline Morrell. In 1925, Eliot became a poetry editor at the London publishing firm of Faber and Gwyer, Ltd., [4]: pp.50–51 after a career in banking, and subsequent to the success of his earlier poems, including "The Love Song of J. Alfred Prufrock" (1915), "Gerontion" (1920) and "The Waste Land" (1922). [5]