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Frankenstein is a superhero comic book series published by Dell Comics, based on the literary and movie character Frankenstein's monster. The book was part of a line of three superhero comics based on the Universal Monsters characters; the other two were Dracula and Werewolf. [1] Frankenstein lasted three issues, numbered 2-4 (Sept. 1966- March ...
Download as PDF; Printable version; In other projects Wikidata item; ... Pages in category "Frankenstein characters" The following 9 pages are in this category, out ...
Frankenstein's monster, commonly referred to as Frankenstein, [a] is a fictional character that first appeared in Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus as its main antagonist.
A depiction of the malformed Igor. Igor, or sometimes Ygor, is a stock character, a sometimes hunch-backed laboratory assistant to many types of Gothic villains or as a fiendish character who assists only himself, the latter most prominently portrayed by Bela Lugosi in Son of Frankenstein (1939) and The Ghost of Frankenstein (1942).
The Creature of Dr. Frankenstein appears as the main character in the 2019 video game 'The Wanderer: Frankenstein's Creature' (Nintendo Switch, PC, iOS/Android). The game was co-produced by La Belle Games and Arte and is a point-and-click narrative adventure which features a story based more closely on Mary Shelley 's novel than a number of ...
Pages in category "Frankenstein (Universal film series) characters" The following 4 pages are in this category, out of 4 total. This list may not reflect recent changes .
Bernie Wrightson's Frankenstein is an illustrated edition of Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus, first published in 1983 by American company Marvel Comics, with full-page illustrations by American artist Bernie Wrightson. In 2008, a new edition was released by Dark Horse Comics for the 25th anniversary.
Max Duperray explains that the choice of the term "horror" served to distinguish a later school within the Gothic movement, which Frankenstein is partly part of: "[...] whereas the early novels separate good and evil with an insurmountable barrier," he writes, "the later ones usher in the era of moral ambiguity, involving the reader more deeply in the mysteries of the transgressive ...