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The blues, reds, oranges, violets, "transposed reversal chords" dominate. The "chords with contracted resonance" and the "chords of the chromatic total" add their more violent or subtle colours. However, each bird has its own aesthetic, the melodic and rhythmic movements differ from one piece to another.
The overall structure of the piece is "a slow introduction, a quick central section, and a return to the initial slower tempo", which echoes the structure of Death and Transfiguration. [4] There are five basic thematic elements in Metamorphosen. First, there are the opening chords.
Polymodal, consisting of a blue-orange mode with a chordal ostinato and cascades of chords, and a violet-purple mode having a copper timbre. Note the pianistic writing, composed of triple notes, rapid passages in chords, canon in contrary motion, hand crossing, various staccatos, brassy louré, gem effects. 6 Cloches d'angoisses et larmes d'adieu
Olivier de Sagazan (born 1959 in Brazzaville, Congo [citation needed]) is a French artist, painter, sculptor and performer. [1] His most famous performance, "Transfiguration", was created in 1998, with more than 300 performances in 25 countries.
Reviewing the world premiere, Anthony Tommasini of The New York Times wrote, "The richness and solemnity of this music come primarily from its harmony, a subtle mix of sturdy tonality and anxious, stacked-up orchestra chords spiked with shards of dissonance." He added, "Some listeners may find Mr. Adams's material to be insufficiently involving ...
In movement 2 she alludes to the Transfiguration of Jesus (Matthew 17:4), movement 3 sees the incomprehensible power of Jesus everywhere, not restricted to a certain location. He will lift me to his right hand, according to Matthew 25:33 , and judge me right, according to the closing chorale, the fourth stanza of Matthäus Avenarius ' " O Jesu ...
Death and Transfiguration (German: Tod und Verklärung), Op. 24, is a tone poem for orchestra by Richard Strauss. Strauss began composition in the late summer of 1888 and completed the work on 18 November 1889. The work is dedicated to the composer's friend Friedrich Rosch. The music depicts the death of an artist.
Mysterium is an unfinished musical work by composer Alexander Scriabin.He started working on the composition in 1903, but left it incomplete when he died in 1915. Scriabin planned that the work would be synesthetic, exploiting the senses of smell and touch as well as hearing.