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To create his monochrome paintings in diluted greys and black ink, Sesshū used black sumi, meaning charcoal or soot-based solid ink on paper or silk, thus following the art of sumi-e [8] Some of Sesshū's most acclaimed works include Winter Landscape (c. 1470s), Four Landscape Scrolls of the Seasons (c. 1420 – 1506) and, Birds and Flowers (c ...
In 1468, at the age of 48, Sesshū embarked on a trip to Ming China to study contemporary modes and styles of landscape paintings. Though initially studying under the auspices of Tenshō Shūbun and Josetsu, the expedition and visits to vast regions and cities from Beijing and Ningbo helped expanded and developed the styles that would be utilized in Autumn and Winter Landscapes.
Haboku, Splashed Ink Landscape, Cleveland Museum of Art Lecture Notes, by James Cahill [ permanent dead link ] , Institute of East Asian Studies, University of California, Berkeley CLP 120: 1995 “Two Snowy Peaks Viewed from Afar: Some Chinese Thoughts on Sesshu and Sesson.” , LACMA lecture, Dec. 3,1995:
Landscape by Sesshū (), private collection; ink and light colour on paper; 118.0 centimetres (46.5 in) by 35.5 centimetres (14.0 in). Landscape by Sesshū is one of the most securely authenticated works of the Japanese Muromachi period artist Sesshū (1420–1506).
File:Sesshū Tōyō - Haboku, Splashed Ink Landscape - 1955.43 - Cleveland Museum of Art.tiff
Sesshū Memorial Museum (益田市立雪舟の郷記念館, Masuda Shiritsu Sesshū no Sato Kinenkan) opened in Masuda, Shimane Prefecture, Japan, in 1990. Located next to the site of the Daiki-an ( 大喜庵 ) , said to have been the site of Sesshū 's death and burial, the museum stages exhibitions relating to the artist and to the history of ...
Sesshu Toyo's painting of Kanzan and Jittoku differs from others seen, as it is a bust length image of the two figures' faces. Sesshu Toyo pays great attention to rendering their emotions and mischievous glances, as they laugh together while Kanzan holds a blank scroll. Through this, he captures the essence of the two figures.
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