Search results
Results from the WOW.Com Content Network
The song is used by many Irish nationalists as an anthem for the entire island of Ireland. As such it is played at all GAA matches, including those in Northern Ireland and overseas. The 2018 Seanad report on the anthem recommended awareness of the anthem among "Irish citizens at home and abroad, as well as new citizens of Ireland". [ 93 ]
"Róisín Dubh" (Irish: [ˈɾˠoːʃiːnʲ ˈd̪ˠʊw]; "Dark Rosaleen" or "Little Dark Rose") is one of Ireland's most famous political songs. It is based on an older love-lyric which referred to the poet's beloved rather than, as here, being a metaphor for Ireland. The intimate tone of the original carries over into the political song.
"Arthur McBride" – an anti-recruiting song from Donegal, probably originating during the 17th century. [1]"The Recruiting Sergeant" – song (to the tune of "The Peeler and the Goat") from the time of World War 1, popular among the Irish Volunteers of that period, written by Séamus O'Farrell in 1915, recorded by The Pogues.
In 2016 a recording was made by an Irish band Glaslevin as a fund-raiser for Celtic F.C.'s ultras supporters group Green Brigade, and in February 2024 members of the group were being encouraged to sing the song as a gesture of support for Palestine, with a statement: "'Grace' is a song of love, hope, loss, pain, steadfastness, resistance and ...
"A Nation Once Again" is a song written in the early to mid-1840s by Thomas Osborne Davis (1814–1845). Davis was a founder of Young Ireland, an Irish movement whose aim was for Ireland to gain independence from Britain. Davis believed that songs could have a strong emotional impact on people. He wrote that "a song is worth a thousand harangues".
The first commercial recording was by Brendan's brother Dominic Behan on his 1958 Topic album Irish Songs. On the liner notes, he wrote, 'The Old Triangle is a song of Mountjoy Prison and was made popular in the play "The Quare Fella" by Brendan Behan of Dublin.' [4]
Four Green Fields is a 1967 folk song by Irish musician Tommy Makem, described in The New York Times as a "hallowed Irish leave-us-alone-with-our-beauty ballad." [1] Of Makem's many compositions, it has become the most familiar, and is part of the common repertoire of Irish folk musicians.
The song traces back from at least 1869, in The Wearing Of The Green Songbook, where it was sung with the melody of the music "The Wearing of the Green", and not with the more melancholic melody we know today. [2] Another early publication of the song was in a 19th-century publication, The Irish Singer's Own Book (Noonan, Boston, 1880). [3]