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"Falling in Love (Is Hard on the Knees)" is a song by American hard rock band Aerosmith that appeared on the band's 12th studio album, Nine Lives (1997). The song was written by Steven Tyler , Joe Perry , and Glen Ballard , who had signed on to produce Nine Lives .
"Fallin' in Love" was covered in 1995 by German Eurodance duo La Bouche. It was the third single of their debut album, Sweet Dreams (1995), and was released in June 1995 by MCI and BMG, although the song did not gain popularity in the United States until the following year following the success of the first two singles, "Be My Lover" and "Sweet Dreams".
It does not accurately represent the chord progressions of all the songs it depicts. It was originally written in D major (thus the progression being D major, A major, B minor, G major) and performed live in the key of E major (thus using the chords E major, B major, C♯ minor, and A major). The song was subsequently published on YouTube. [9]
The song, renamed "(I Can't Help) Falling in Love with You", was released on May 10, 1993 by Virgin Records, and eventually climbed to No. 1 on the US Billboard Hot 100, staying there for seven weeks, becoming their 4th and last top 10 hit. It also topped the charts of 11 other countries, including Australia, Austria, the Netherlands, New ...
"Falling in Love (Uh-Oh)" is the fourth single released by the American band Miami Sound Machine led by Gloria Estefan from their second English language album, ...
Even though he was young, he was singing some deep stuff back then. [The song] is about the ins and outs of a relationship. Sometimes, you're completely head-over-heels in love with someone, and sometimes you can't stand that person. You fall in and out, sometimes it goes back and forth, and that's just what relationships are about." [4]
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An arpeggio for the chord of C major going up two octaves would be the notes (C, E, G, C, E, G, C). In musical notation, a very rapid arpeggiated chord may be written with a wavy vertical line in front of the chord. Typically these are read as to be played from the lowest to highest note, though composers may specify a high to low sequence by ...