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Venetian window at Holkham Hall in Norfolk, England, c. 1734-64 A Venetian window (also known as a Serlian window ) is a large tripartite window which is a key element in Palladian architecture . Although Sebastiano Serlio (1475–1554) did not invent it, the window features largely in the work of the Italian architect Andrea Palladio (1508 ...
The Serlian window, or Venetian window, also known as a Palladian window, was another common feature of his style, which he used both for windows and the arches of the loggias of his buildings. It consists of an arched window flanked by two smaller square windows, divided by two columns or pilasters and often topped by a small entablature and ...
Lees-Milne describes the Burlington window as "the earliest example of the revived Venetian window in England". [ 34 ] A variant, in which the motif is enclosed within a relieving blind arch that unifies the motif, is not Palladian, though Richard Boyle seems to have assumed it was so, in using a drawing in his possession showing three such ...
The ceiling has a small cove above a cornice, the edge of the ceiling proper being edged by a plaster beam that enclose a circular plaster beam both decorated with rinceaux, the centre of the ceiling is a shallow dome. The four doors that flank the fireplaces have pediments. The Venetian window is framed by Corinthian pilasters and columns.
Lord Burlington was not just restricted to the influence of Andrea Palladio as his library list at Chiswick indicates. He owned books by influential Italian Renaissance architects such as Sebastiano Serlio and Leon Battista Alberti and his library contained books by French architects, sculptors, illustrators and architectural theorists such as Jean Cotelle, Philibert de l'Orme, Abraham Bosse ...
Compared to the Renaissance architecture of other Italian cities, there was a degree of conservatism, especially in retaining the overall form of buildings, which in the city were usually replacements on a confined site, and in windows, where arched or round tops, sometimes with a classicized version of the tracery of Venetian Gothic ...
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The General Post Office Building, Sydney, by James Barnet is in the Venetian Renaissance style. 1866-80. A major 19th-century architect to work extensively in the Palazzo style was Edmund Blacket. Blacket arrived in Sydney, Australia, just a few years before the discovery of gold in NSW and Victoria in 1851. Within the next decade he built the ...