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The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music.
The exact origin of preaching chords being played in African American Baptist and Pentecostal churches is relatively unknown, but is mostly believed to have started in either the early or mid-20th Century, at a time when many African-American clergymen and pastors began preaching in a charismatic, musical call-and-response style. [3]
Such composers as Rodgers and Hart (in their 1934 song "Blue Moon"), and Hoagy Carmichael and Frank Loesser (in their 1938 "Heart and Soul") used a I–vi–ii–V-loop chord progression in those hit songs; composers of doo-wop songs varied this slightly but significantly to the chord progression I–vi–IV–V, so influential that it is sometimes referred to as the '50s progression.
Here, the twelve-bar progression's last dominant, subdominant, and tonic chords (bars 9, 10, and 11–12, respectively) are doubled in length, becoming the sixteen-bar progression's 9th–10th, 11th–12th, and 13th–16th bars, [citation needed]
The enthusiasm doo-wop fans had for the Chords' music was dampened when Gem Records claimed that one of the groups on its roster was called the Chords; consequently the group changed their name to the Chordcats. [3] Their success was a one-off as subsequent releases, including "Zippity-Zum", all failed to chart. [3]
Soul and gospel groups flourished in America in the years after World War II, building on the foundation of blues, 1930s gospel songs and big band music. Originally called " race music " by white mainstream radio and its target market, it was the precursor to rock and roll and rhythm and blues of the 1950s, 1960s and 1970s, influencing many ...
Sister Rosetta Tharpe (born Rosetta Nubin, March 20, 1915 – October 9, 1973) [1] was an American singer, songwriter and guitarist. She gained popularity in the 1930s and 1940s with her gospel recordings, characterized by a unique mixture of spiritual lyrics and electric guitar.
Hymns is the fifth solo studio album and first Gospel album by American country music singer-songwriter Loretta Lynn. It was released on November 15, 1965, by Decca Records. [1] The album consists of 12 gospel and inspirational songs that were either popular over the years or were written by Lynn for this album.
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