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Guajira [ɡwaˈxi.ɾa] is a music genre derived from the punto cubano.According to some specialists, [1] the punto cubano was known in Spain since the 18th century, where it was called "punto de La Habana", and by the second half of the 19th century it was adopted by the incipient Spanish Flamenco style, which included it within its "palos" with the name of guajira. [2]
The guajira is a prime example of so-called cantes de ida y vuelta. [ 2 ] [ 3 ] The flamenco guajira is the adaptation to Melos flamenco of the Cuban point, the peasant point, a genre that brings together a series of songs called Guajiros that are grown in the rural areas of the island of Cuba. [ 3 ]
Punto guajiro or punto cubano – or simply punto – is a sung genre of Cuban music, a poetic art with music.It became popular in the western and central regions of Cuba in the 17th century, [1] and consolidated as a genre in the 18th century. [2]
In his book Del canto y el tiempo, León divided the study of Cuban popular music in several sections presented in the following order: Música yoruba, Música bantú, Música abakuá, Música guajira, El son, La rumba, La guaracha, La canción y el bolero, Música instrumental, De la contradanza al danzón, al chachachá and Hacia el presente ...
Julio Brito [1] [2] was a Cuban musician, composer, orchestra conductor and singer. He achieved great popularity both in his native Cuba and internationally, thanks to compositions such as the guajira "El amor de mi bohío" or the world famous bolero "Mira que eres linda", interpreted by numerous artists around the world, even today.
The music of Cuba, including its instruments, performance, and dance, comprises a large set of unique traditions influenced mostly by west African and European (especially Spanish) music. [1] Due to the syncretic nature of most of its genres, Cuban music is often considered one of the richest and most influential regional music in the world.
Brito premiered "El amor de mi bohío" in 1937, at the famous Eden Concert cabaret in Havana, Cuba. [8] [9] This song is the maximum expression of the Cuban salon guajira, the most widespread of this genre, which would become one of Julio Brito's most famous creations [10], being performed by great voices throughout the following decades.
Portabales continued to perform and perfect the guajira until he went to Puerto Rico in 1937. There he became enamoured of the neighboring island and stayed there for two years, singing in theaters, clubs and on the radio. In 1939, he married Puerto Rican Arah Mina López, a journalist who joined him as he returned to Cuba in 1939.