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"Affair of the Heart" is a hit song performed by rock musician Rick Springfield. It was released as the lead single from his platinum-certified album Living in Oz. The song peaked at No. 9 on the Billboard Hot 100 and at No. 10 on the Cash Box Top 100 in mid-1983. [1] It was the fourth of Springfield's five top 10 hits to date. [1]
"I Want You" is the first single from Jody Watley's third album Affairs of the Heart. The official music video , directed by Andy Morahan , [ 1 ] was featured on an episode of Beverly Hills, 90210 .
In 1984, Springfield was nominated for a Grammy Award for Best Male Rock Vocal Performance for the "Affair of the Heart" single, which peaked at number nine on the Billboard Hot 100 and No. 10 on the Cash Box Top 100. "Human Touch" peaked at No. 18 and "Souls" peaked at No. 23 on the Hot 100.
The lyrics for the French-language rendering of the song were written by Eddy Marnay and this version, entitled "Les Moulins de mon cœur" ("The Windmills of My Heart"), was first recorded in 1968 by Marcel Amont who had a minor French chart hit, peaking at no. 49. [23] [failed verification]
Affairs of the Heart, a record label used by band Flare Acoustic Arts League; Affairs of the Heart, a 1980s new wave synthpop trio in which Steve Street was a member; Affairs of the Heart, a 1991 studio album by Jody Watley; Affairs of the Heart, a 1997 concerto composed by Marjan Mozetich; Affairs of the Heart, a 2007 album by Sandy Green
Affairs of the Heart is the third studio album by American pop singer Jody Watley, released on December 3, 1991, by MCA Records. (see 1991 in music). Affairs of the Heart supplies a handful of energetic dance numbers and a plentiful selection of quiet storm ballads, the new material result is a set that's much thicker and deeper sound.
Black Moon received mixed reviews. Jim Allen of AllMusic wrote in a retrospective review that the performers "stripped down their sound and amped up their attack." [3] In his book The Music's All that Matters: A History of Progressive Rock, Paul Stump compared it favorably to its contemporary Union (by fellow progressive rock giants Yes).
Indeed, British DJ, John Digweed re-edited [3] the Morales' “Dead Zone” version of the song for its inclusion on his [Digweed] edition of the Azuli Records compilation, Choice - A Collection of classics, [4] and cited it as an influence on the UK DJing community in the compilation's liner notes: