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a: A Novel was the second of several publishing projects Andy Warhol produced in his lifetime. Warhol wanted to be a writer but, much like his film work, spontaneous performances and an explicit lack of editing was used as a device. [1] Warhol wanted to write a "bad" novel, "because doing something the wrong way always opens doors". [2]
The book was published unsubtitled as Warhol in the United States in hardcover, e-book and audiobook format by Ecco, an imprint of HarperCollins, on April 28, 2020. [ 6 ] [ 7 ] The front cover of the book's dust jacket was designed by Allison Saltzman and features a photograph of Andy Warhol sitting in a chair in New York on February 27, 1968 ...
POPism: The Warhol '60s is a 1980 memoir by the American artist Andy Warhol. It was first published by Harcourt Brace Jovanovich . The book was co-authored by Warhol's frequent collaborator and friend, Pat Hackett .
The Philosophy of Andy Warhol (From A to B & Back Again) is a 1975 book by the American artist Andy Warhol.It was first published by Harcourt Brace Jovanovich.. The book is an assemblage of vignettes about love, beauty, fame, work, sex, time, death, economics, success, and art, among other topics, by the "Prince of Pop".
On Rotten Tomatoes, the series holds an approval rating of 96% based on 23 reviews, with an average rating of 8.2/10.The website's critics consensus reads, "Employing some risky stylistic flourishes that Andy Warhol himself might have approved of, these Diaries are a revelatory glimpse into the inner life of a purposefully unknowable artist."
Newer editions of the book contain an authorized index. The Andy Warhol Diaries was a commercial success and remained on the New York Times Best Seller for a few months. [8] [9] The book caused a sensation for its "sometimes malicious and often outrageous gossip about entertainers, artists and jet setters." [7] Many of Warhol's friends praised ...
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A review by Branden W. Joseph of Harvard University credited the “virtually self-published” volume as a trendsetter in Warhol studies, praising the “unassuming, slightly irreverent” tribute for the way it “cleverly engaged with Warhol’s self-fashioned image, reinforcing the impression that Warhol had nothing to say on his own behalf ...