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The persona poem evolved further in the twentieth century when the term 'persona' became popularised in psychology and anthropology by theorists in these fields. [12] For Swiss psychiatrist Carl Jung , persona was the social face the individual presented to the world: "a kind of mask, designed on the one hand to make a definite impression upon ...
A persona (plural personae or personas) is a strategic mask of identity in public, [1] the public image of one's personality, the social role that one adopts, or simply a fictional character. [2] It is also considered "an intermediary between the individual and the institution."
While Ruskin's essay plainly praises and disparages use of the pathetic fallacy in various contexts, his phrase has been remembered as a "pejorative", [10] used to criticize the sentimentality that was common to the poetry of the late 18th century, especially among poets like Burns, Blake, Wordsworth, Shelley, and Keats. Wordsworth supported ...
Poetry (from the Greek word poiesis, "making") is a form of literary art that uses aesthetic and often rhythmic [1] [2] [3] qualities of language to evoke meanings in addition to, or in place of, literal or surface-level meanings. Any particular instance of poetry is called a poem and is written by a poet.
The lyrical subject, lyrical speaker or lyrical I is the voice or person in charge of narrating the words of a poem or other lyrical work. [1] The lyrical subject is a conventional literary figure, historically associated with the author, although it is not necessarily the author who speaks for themselves in the subject.
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
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Dramatic monologue is a type of poetry written in the form of a speech of an individual character. M.H. Abrams notes the following three features of the dramatic monologue as it applies to poetry: The single person, who is patently not the poet, utters the speech that makes up the whole of the poem, in a specific situation at a critical moment