Search results
Results from the WOW.Com Content Network
Chord inversions and chords with other altered bass notes are notated analogously to regular slash chord notation. In the key of C, C/E (C major first inversion , with E bass) is written as 1/3; G/B is written as 5/7; Am/G (an inversion of Am7) is written as 6m/5; F/G (F major with G bass) is 4/5.
[5] Pat Metheny is known for using Nashville tuning on several occasions, notably his song "Phase Dance" from his group's debut album. [6] [7] Similarly, Andy Fairweather Low used a high-strung guitar on his 1975 UK hit single "Wide Eyed and Legless", taken from his La Booga Rooga album. [8] [9] Other songs featuring the tuning include:
Nashville Scene is an alternative newsweekly in Nashville, Tennessee. It was founded in 1989, became a part of Village Voice Media in 1999, and later joined the ranks of sixteen other publications after a merger of Village Voice Media with New Times Media early in 2006.
Nashville-based country music's broader moment defining American pop culture, top-down, encapsulates much more than expressing three chords and the truth in three minutes and thirty seconds.
Nashville tuning: E7, seventh chord subset of ninth chord. E9 tuning is a common tuning for steel guitar necks of more than six strings. It is the most common tuning for the neck located furthest from the player on a two-neck console steel guitar or pedal steel guitar while a C6 neck is the one closer to the player. The E9 is a popular tuning ...
Nashville Scene said, "his hilariously honest memoirs...have become a cult favorite among musicians both famous and unknown". [2] Womack later joined the Bis-quits, which released one album on Oh Boy Records in 1993. [3] In the mid-1990s, Womack began writing songs with Jason Ringenberg of Jason & the Scorchers, a band that Womack had idolized.
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
By the summer of 2002 it was evident that the MuzikMafia was a significant part of the Nashville music scene. The Pub of Love’s performance area was small; barely 12’ X 20’, and the building was in disrepair, including an upstairs ceiling that was sagging in several places.