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The Amen break is a drum break that has been widely sampled in popular music. It comes from the 1969 track "Amen, Brother" by the American soul group the Winstons, released as the B-side of the 1969 single "Color Him Father". The drum break lasts seven seconds and was performed by Gregory Coleman.
Samples may be layered, [41] equalized, [41] sped up or slowed down, repitched, looped or otherwise manipulated. [14] A seven-second drum break in the 1969 track "Amen, Brother", known as the Amen break, became popular with American hip hop producers and then British jungle producers in the early 1990s. [35]
In addition to the famous "Yeah! Woo!" sample, another part of the drum break has seen prominent use in songs of diverse breakbeat subgenres such as jungle, drum and bass and breakcore. [6] [7] The sample contains a short, ad-libbed shout by one of the musicians, and is usually played at a higher speed, giving the shout a very recognizable ...
The products portfolio and collections include thousands of high quality audio samples of different types, such as: DJ samples, loops samples, drum loops and drum sound, synth loops, sound effects, MIDI samples, multi samples and construction kits, vocals. All the content has been recorded and produced either by Lucidsmples or exclusively for ...
There has been debate as to who created the Brown Beats drum pattern first as both records were released in 1987. Paul who was based in the San Francisco Bay Area, was a popular radio and club DJ in 1980s and 1990s, while Derek B and Simon Harris were a rapper and producer based in England. Both parties were prone to sampling older funk and hip ...
The term "boom bap" is an onomatopoeia that represents the sounds used for the bass (kick) drum and snare drum, respectively. The style is usually recognized by a main drum loop that uses a hard-hitting, acoustic bass drum sample on the downbeats , a snappy acoustic snare drum sample on the upbeats , and an "in your face" audio mix emphasizing ...
After the drum break, the band returns to the original vamp. [1] Brown, apparently impressed with what Stubblefield has produced, seems to name the song on the spot as it continues, and repeats it: "The name of this tune is 'The Funky Drummer', 'The Funky Drummer', 'The Funky Drummer'."
The 808 was followed in 1983 by the TR-909, the first Roland drum machine to use samples. Like the 808, the 909 influenced popular music, including such genres as techno, house and acid. [15] 808 samples were included in ReBirth RB-338, an early software synthesiser developed by Propellerhead Software. [37]
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