Search results
Results from the WOW.Com Content Network
Film One Productions Film One Le Monde Entertainment: 1994: Hostage of Time: Jean K. Chamoun: Documentary: 1994: 50mins Proximities Afif J. Arabi A J Arabi Experimental DXM 1994: Time Has Come: Arabic: "آن الأوان" French: Histoire d'un retour: Jean-Claude Codsi: Simon Abkarian, Darina Al Joundi, Nati Sourati: Jean-Claude Codsi, Talal ...
The Foreign Language Film Award Committee oversees the process and reviews all the submitted films. Following this, they vote via secret ballot to determine the five nominees for the award. [3] Below is a list of the films that have been submitted by Lebanon for review by the academy for the award by year and the respective Academy Awards ceremony.
Pages in category "Films shot in Lebanon" The following 24 pages are in this category, out of 24 total. This list may not reflect recent changes. 0–9.
In 1997, Youssef Chahine's French-produced film, Destiny, was shot on location in Lebanon, including the historic mountain town of in Beiteddine. While many films produced in the 1990s were hits at international festivals, Lebanese viewers were not drawn to the mainly war-themed films.
Pages in category "One-shot films" The following 42 pages are in this category, out of 42 total. This list may not reflect recent changes. 0–9. 1917 (2019 film) A.
Lebanon (Hebrew: לבנון Lvanon; called Lebanon: The Soldier's Journey in the UK) is a 2009 war drama film written and directed by Samuel Maoz. [2] It won the Golden Lion at the 66th Venice International Film Festival, [3] becoming the first Israeli-produced film to have won that honour. In Israel itself the film has caused some controversy. [4]
This page was last edited on 11 October 2024, at 01:08 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
However, the use of a real time ticking bomb through the single shot is seen as a standard. [2] Although animated films are not included in a list of one-shot films, The Wolf House (2018) is a deconstructed example of (stop-motion) animated film that presented in a form of single, unbroken shot sequence. [5] [6] [7]