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Some of his early violins were smaller, with notable exception to this is the 1679 Hellier violin, which had much larger proportions. [31] Stradivari's early (pre-1684) violins are in strong contrast to Amati's instruments from the same time period; Stradivari's have a stronger build; less rounded curves, with the purfling set farther in. [ 32 ...
Don Nicolò Amati [1] (born Nicolò Marchioni or Nicolò Melchioni; [2] 1662–1752) was an Italian violin maker based in Bologna. In 1687 he entered priesthood. In 1687 he entered priesthood. He pursued both careers, priesthood and violinmaking, throughout his lifetime.
Amati (/ ə ˈ m ɑː t i /, Italian:) is the last name of a family of Italian violin makers who lived at Cremona from about 1538 to 1740. Their importance is considered equal to those of the Bergonzi, Guarneri, and Stradivari families. Today, violins created by Nicolò Amati are valued at around $600,000. [1]
The Violin Museum (Italian: Museo del Violino), formerly the Stradivarius Museum (Italian: Museo Stradivari), is a musical instrument museum located in Cremona.The museum is best known for its collection of stringed instruments that includes violins, violas, cellos, and double basses crafted by renowned luthiers, including Antonio Stradivari and Giuseppe Guarneri del Gesù.
Although no photographs of Paganini are known to exist, in 1900 Italian violin maker Giuseppe Fiorini forged the now famous fake daguerreotype of the celebrated violinist. [29] So well in fact, that even the great classical author and conversationalist Arthur M. Abell was led to believe it to be true, reprinting the image in the 22 January 1901 ...
Paolo De Barbieri (1889 in Genoa – 1964) was an Italian violin maker. Trained in Cesare Candi's workshop, Paolo DeBarbieri is now considered one of the best violin makers of the school of Genova. His style changes greatly during the years, but it is always easy recognisable for his unmistakable making technique, based on the 'continuous ...
Count Ignazio Alessandro Cozio di Salabue (1755–1840) was an Italian nobleman who was known as the first great connoisseur and collector of violins. [1] A trove of correspondence and memoirs on the history of violinmaking known as the Carteggio forms the basis of his biography. [2]
Raffaele Fiorini (15 July 1828 – 18 October 1898) was an influential Italian violin maker. Innovator, personality and pioneer of the rebirth of Bolognese violinmaking, Fiorini was born at Musiano di Pian di Macina di Pianoro near Bologna. He spent his early years in Bazzano, where he learned the first elements of the craft while working with ...