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The Black Paintings (Spanish: Pinturas negras) is the name given to a group of 14 paintings by Francisco Goya from the later years of his life, probably between 1820 and 1823. They portray intense, haunting themes, reflective of both his fear of insanity and his bleak outlook on humanity.
Portrait of Madeleine, also known as Portrait of a Black Woman (French: Portrait d'une femme noire or Portrait d'une negresse), is an oil-on-canvas painting by the French artist Marie-Guillemine Benoist, created in 1800.
African-American art is known as a broad term describing visual art created by African Americans. The range of art they have created, and are continuing to create, over more than two centuries is as varied as the artists themselves. [ 1 ]
Black Circle (or motive 1915) is a 1924 oil-on-canvas painting by the Russian avant-garde artist Kazimir Malevich, founder of the Suprematism movement. From the mid-1910s, Malevich abandoned any trace of figurature or representation from his paintings in favour of pure abstraction .
Black Square (Russian: Чёрный квадрат) is a 1915 oil on linen canvas painting by the Russian avant-garde artist and theorist Kazimir Malevich. [1] There are four painted versions, the first of which was completed in 1915 and described by the artist as his breakthrough work and the inception of his Suprematist art movement (1915–1919).
The use of basic geometric systems in the work is regarded by many as the precursor of Minimalism.The painting was made by marking equal subdivisions along the sides, bottom and top edges of the canvas and using these intervals to generate simple, symmetrical patterns consisting of bands of black enamel paint separated by thin lines of unpainted canvas.
The Black Boy, 1844 by William Lindsay Windus. The Black Boy is an 1844 painting by William Lindsay Windus in the collection of the International Slavery Museum in Liverpool, England. [1] The painting is an oil on canvas painting measuring 76.1 x 63.5cm and depicts a black child looking at the viewer. [2] He is wearing torn clothing. [1]
The painting contradicts the minstrel show presentation of the banjo, by using the musical instrument for "thoughtful art" and not as a "comical prop." [ 42 ] The painting contradicts stereotypes of African Americans as well; instead of showing natural musicality, the painting instead shows a process of learning, and "emphasizes the deliberate ...
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- 3180 Kingsdale Center, Columbus, OH · Directions · (614) 459-6494
