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  2. Mogu - Wikipedia

    en.wikipedia.org/wiki/Mogu

    Mogu (Chinese: 沒骨) is a painting skill or technique in traditional Chinese painting. It literally means "boneless". [1] In these paintings, forms are made by ink and color washes rather than by outlines. [1]

  3. Wuxing painting - Wikipedia

    en.wikipedia.org/wiki/Wuxing_painting

    Through wuxing painting one can create a picture identical in its external appearance to any example of traditional Chinese painting. In this regard there is no difference between wuxing painting and traditional Chinese painting. Still, if one compares wuxing painting and traditional painting styles there are a number of differences in technique:

  4. Chinese painting - Wikipedia

    en.wikipedia.org/wiki/Chinese_painting

    Chinese painting and calligraphy distinguish themselves from other cultures' arts by emphasis on motion and change with dynamic life. [4] The practice is traditionally first learned by rote, in which the master shows the "right way" to draw items.

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  6. Freehand brush work - Wikipedia

    en.wikipedia.org/wiki/Freehand_brush_work

    Freehand brush work is a genre of Chinese traditional painting which includes poem, calligraphy, painting and seal. In Chinese called Hsieh yi (traditional Chinese: 寫意; simplified Chinese: 写意; pinyin: Xiěyì), which literally means "writing ideas". [1] It was formed in a long period of artistic activities and promoted by the literati.

  7. China painting - Wikipedia

    en.wikipedia.org/wiki/China_painting

    China painting, or porcelain painting, [a] is the decoration of glazed porcelain objects, such as plates, bowls, vases or statues. The body of the object may be hard-paste porcelain , developed in China in the 7th or 8th century, or soft-paste porcelain (often bone china ), developed in 18th-century Europe.

  8. Chinese pigment - Wikipedia

    en.wikipedia.org/wiki/Chinese_pigment

    Chinese pigments is similar to Western gouache paint in that it contains more glue than watercolours, but more so than gouache. The high glue content makes the pigment bind better to Chinese paper and silk as well as enabling works of art to survive the wet-mounting process of Chinese hanging scroll mountings without smudging or bleeding.

  9. Nan Qi (artist) - Wikipedia

    en.wikipedia.org/wiki/Nan_Qi_(artist)

    Nan’s early work emphasises his strong connection to traditional Chinese culture and his fascination with the lyricism of ancient Chinese landscape artists.His mountainous scenes from the late 1980s and early 1990s feature strong, inky brushwork broken up by ink “dabs” which showcase the rugged textures of these rocky landscapes.