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The Bauhaus typeface design is based on Herbert Bayer 's 1925 experimental Universal typeface and the Bauhaus aesthetic overall. The Bauhaus school sought to modernize, unify and standardize design into an idealistic form that would combine function with aesthetics. One aspect of their many proposed reforms was a series of related Bauhaus ...
The Bauhaus emblem, designed by Oskar Schlemmer, was adopted in 1921. Typography by Herbert Bayer above the entrance to the workshop block of the Bauhaus Dessau, 2005. The Staatliches Bauhaus (German: [ˈʃtaːtlɪçəs ˈbaʊˌhaʊs] ⓘ), commonly known as the Bauhaus (German for 'building house'), was a German art school operational from 1919 to 1933 that combined crafts and the fine arts. [1]
Futura is a geometric sans-serif typeface designed by Paul Renner and released in 1927. [1] It was designed as a contribution on the New Frankfurt-project.It is based on geometric shapes, especially the circle, similar in spirit to the Bauhaus design style of the period.
For the distinction between [ ], / / and , see IPA § Brackets and transcription delimiters. Blackletter (sometimes black letter or black-letter), also known as Gothic script, Gothic minuscule or Gothic type, was a script used throughout Western Europe from approximately 1150 until the 17th century. [1]
Herbert Bayer. Herbert Bayer (April 5, 1900 – September 30, 1985) was an Austrian and American graphic designer, painter, photographer, sculptor, art director, environmental and interior designer, and architect. He was instrumental in the development of the Atlantic Richfield Company 's corporate art collection until his death in 1985.
Joost Schmidt, Dessau 1932. Joost Schmidt (Wunstorf, 5 January 1893 - Nürnberg, 2 December 1948) was a German typographer, a teacher and master at the Bauhaus, and later a professor at the College of Visual Arts, Berlin. He was a visionary typographer and graphic designer who is best known for designing the famous poster for the 1923 Bauhaus ...
The Antiqua–Fraktur dispute was a typographical dispute in 19th- and early 20th-century Germany. In most European countries, blackletter typefaces like the German Fraktur were displaced with the creation of the Antiqua typefaces in the 15th and 16th centuries. However, in Germany and Austria, the two styles of printing coexisted until the ...
File:Bauhaus and Bauhaus 93 Typeface.pdf. Size of this JPG preview of this PDF file: 463 × 599 pixels. Other resolutions: 185 × 240 pixels | 371 × 480 pixels | 593 × 768 pixels | 1,275 × 1,650 pixels. This is a file from the Wikimedia Commons. Information from its description page there is shown below.
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