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Lab Pe Aati Hai Dua" (Urdu: لب پہ آتی ہے دعا; also known as "Bachche Ki Dua"), is a duʿā or prayer, in Urdu verse authored by Muhammad Iqbal in 1902. [1] The dua is recited in morning school assemblies almost universally in Pakistan , [ 2 ] [ 3 ] and in Urdu-medium schools in India .
The trio composed "Ae Watan" in Gulzar's living room and completed within five minutes, though the portion "Lab Pe Aati Hai Dua" written by Islamic philosopher and poet Muhammad Iqbal, was used later onwards by Gulzar, it was included seamlessly so that "people from both sides of the border can sing it. That is the beauty of it – there is no ...
The song "Ae Watan" also contains the lyrics of Allama Iqbal's nazm "Lab Pe Aati Hai Dua", that is the national prayer of Pakistan. The soundtrack was officially released on 11 April 2018 by Zee Music Company. [48] [49]
"Shikwa" (Urdu: شکوہ, "Complaint") and "Jawab-e-Shikwa" (Urdu: جواب شکوہ, "Response to the Complaint") are poems written by Muhammad Iqbal, in the Urdu language, which were later published in his book Bang e Dara The poems are often noted for their musicality, poetical beauty and depth of thought.
The poems in The Call of the Marching Bell was written by Iqbal over a period of twenty years; the collection is divided into three parts: . The book is named "The call of the Marching Bell" [Bang-e-Dara].
Sooraj Pe Dastak: 1085 "Sooraj Pe Dastak" Khayyam solo 1086 "Jaane Kya Unke Nigahon Ne" Surakshaa: 1087 "Masoom Sanam" Anu Malik Faiz Anwar Kumar Sanu 1088 "Dil Mein Ho Pyaar" Taaqat: 1089 "Kaisi Hai Dil Ki Lagi" Anand–Milind Sameer 1090 "Mere Chehre Pe Likha" Udit Narayan 1091 "Mera Dil Tujh Pe Marta" Takkar: 1092 "Aankhon Mein Base Ho Tum ...
Amjad also recited Allama Iqbal's poem Lab Pe Aati Hai Dua in the same film. After his father's death, The Sabri Brothers were led by Amjad's uncle Maqbool Ahmed Sabri, Amjad took up the role of a supporting vocalist and also used to play the Bongos. Later, in 1996, he started his own group with his brothers and friends as members.
As with most of Naushad's soundtracks, the songs of Mughal-e-Azam were heavily inspired by Indian classical music and folk music, particularly ragas such as Darbari, Durga, used in the composition of "Pyar Kiya To Darna Kya", [2] and Kedar, used in "Bekas Pe Karam Keejeye". [3]