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King Kong Escapes (Japanese: キングコングの逆襲, Hepburn: Kingu Kongu no Gyakushū, lit. ' King Kong's Counterattack ' ) is a 1967 kaiju film directed by Ishirō Honda , with special effects by Eiji Tsuburaya .
King Kong is a 1933 American pre-Code adventure horror monster film [5] directed and produced by Merian C. Cooper and Ernest B. Schoedsack, with special effects by Willis H. O'Brien and music by Max Steiner. Produced and distributed by RKO Radio Pictures, it is the first film in the King Kong franchise.
[21] [22] [23] King Kong (1933) is widely regarded by critics and journalists as a masterpiece and a signature facet of American cinema, [24] [25] [26] and is cited as one of the greatest monster films ever made. [27] [28] [29] King Kong (1933) was selected by the National Film Registry for preservation. [17]
Linda Jo Miller, credited as Linda Miller and also known as Leslie Michaels [1] (born December 26, 1947) is an American actress known for King Kong Escapes (1967), The Green Slime (1968) and the TV series Seven Faces of Man. [2]
King Kong, also referred to simply as Kong, is a fictional giant monster resembling a gorilla, who has appeared in various media since 1933.Kong has been dubbed the King of the Beasts, [17] and over time, it would also be bestowed the title of the Eighth Wonder of the World, [18] a widely recognized expression within the franchise.
Mie Hama (浜 美枝, Hama Mie, IPA: [hama mi.e]; born 20 November 1943) is a Japanese former actress, television presenter, radio presenter, and author best known for playing Fumiko Sakurai in the 1962 Godzilla film, King Kong vs. Godzilla, Kissy Suzuki in the 1967 James Bond film, You Only Live Twice, and Madame Piranha in the 1967 King Kong film, King Kong Escapes.
Lou Bega’s “Mambo No. 5,” a 1999 smash that topped the pop charts in most global territories, is one of the most love-it-or-hate-it songs of all time — Stephen King’s wife definitely ...
The models and animation are more sophisticated than in King Kong and use more subtle gestures. Despite the increased technical sophistication, the film, like King Kong, features scale issues, with Joe noticeably changing size between many shots. Harryhausen attributed these lapses to Cooper, who insisted Joe appear larger in some scenes for ...