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Kipling's narrative voice contrasts the purported eternal wisdom of these commonplace texts with the fashionable and (in Kipling's view) naïve modern ideas of "the Market-Place", making oblique reference, by way of puns or poetic references to older geological time periods, to Welsh-born Lloyd George and Liberal efforts at disarmament ("the Cambrian measures"), feminism ("the ...
Where it is a permanent and pensioned opposition, as in England, the quality of its thought deteriorates accordingly. Moreover, anyone who starts out with a pessimistic, reactionary view of life tends to be justified by events, for Utopia never arrives and 'the gods of the copybook headings', as Kipling put it, always return.
"The Gods of the Copybook Headings" "The Grave of the Hundred Head" "Great-Heart" "The Greek National Anthem" "Gunga Din" "Half-Ballad of Waterval" "Harp Song of the Dane Women" "Helen All Alone" "Heriot's Ford" "The Heritage" "The Holy War" "The Hour of the Angel" "The Houses" "Hunting-Song of the Seeonee Pack" "Hyaenas" "Hymn Before Action"
"Boots" is a poem by English author and poet Rudyard Kipling (1865–1936). It was first published in 1903, in his collection The Five Nations. [1]"Boots" imagines the repetitive thoughts of a British Army infantryman marching in South Africa during the Second Boer War.
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"Cold Iron" begins with Baron realizing that war (cold iron) is the gift or metal of man. The second stanza implies that the Baron believes force is how one gets what they want.
If HuffPo's mocking of Beck and the poem while under their assumption that he wrote the poem himself, thus making themselves look like idiots, is to be described in the article as "sparked a debate on several media outlets about the poem and its meaning," then surely the (factual, NPOV) sentence I highlighted is more than fair.
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