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Tommy Fleming (born 15 May 1971) is an Irish singer. He rose to fame in the early 1990s after he was asked to tour the US with Phil Coulter. He soon established himself as a solo artist and found his greatest success singing traditional Irish music, both old and contemporary. Fleming has toured extensively throughout Ireland, UK, United States ...
The Collection is a compilation album released in 2003 by Irish singer Tommy Fleming. This two disc collection features some of his favourite and most popular songs of the first ten years in his career. Disc two is a limited edition live CD.
In 2007, Q ranked Live at Leeds at No.6 [32] on "The 20 Loudest Albums of All Time" list while NME magazine put it at No.3 [33] on its list of "Ten Great Live Albums" in 2011. NME placed Tommy and My Generation at No.16 and No.22 respectively on its list of "NME Writers All Time Top 100" in 1974.
Indeed, for Westerberg and his merry band of miscreants – bassist Tommy Stinson (who was 12 when the band formed), his talented but troubled older brother Bob on lead guitar, and quiet but ...
Every Tom Petty Album, Ranked. Al Shipley. November 1, 2024 at 11:00 AM. ... is the band’s shortest and sharpest album, arriving with the right sound at the right time in 1978. A year of touring ...
Considered one of the best and most influential albums in the history of Latin American rock music, with many calling it the best album to ever come out of South America. [56] [57] Al Borde's Top 250 albums of Ibero-American Rock: #2 [56] Rolling Stone Argentina's "The 100 Greatest Albums of National Rock": #9 [58]
The debut remains the only Queen album that missed the top 10 on the U.K. album charts, but “Liar” shouldn’t be overlooked as the band’s first maximalist epic. 7. The Game (1980)
Live album and soundtrack album to the concert film of the same name. Pitchfork's Top 100 Albums of the 1980s: #68 [6] UNCUT: The 500 Greatest Albums of The 1980s: #192 [10] Slant's 100 Best Albums of the 1980s: #61 [62] Popkultur.de's 100 Best Albums of the 1980s: #88 [169] October 2, 1984 () Let It Be: The Replacements: Post-punk; indie rock