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Image compression is a type of data compression applied to digital images, to reduce their cost for storage or transmission. Algorithms may take advantage of visual perception and the statistical properties of image data to provide superior results compared with generic data compression methods which are used for other digital data.
While data reduction (compression, be it lossy or lossless) is a main goal of transform coding, it also allows other goals: one may represent data more accurately for the original amount of space [5] – for example, in principle, if one starts with an analog or high-resolution digital master, an MP3 file of a given size should provide a better ...
FLAC (/ f l æ k /; Free Lossless Audio Codec) is an audio coding format for lossless compression of digital audio, developed by the Xiph.Org Foundation, and is also the name of the free software project producing the FLAC tools, the reference software package that includes a codec implementation.
For signals of indefinite size, such as streaming audio and video, the compression ratio is defined in terms of uncompressed and compressed data rates instead of data sizes: C o m p r e s s i o n R a t i o = U n c o m p r e s s e d D a t a R a t e C o m p r e s s e d D a t a R a t e {\displaystyle {\rm {Compression\;Ratio}}={\frac {\rm ...
Audio file icons of various formats. An audio file format is a file format for storing digital audio data on a computer system. The bit layout of the audio data (excluding metadata) is called the audio coding format and can be uncompressed, or compressed to reduce the file size, often using lossy compression.
MPEG-1 is a standard for lossy compression of video and audio.It is designed to compress VHS-quality raw digital video and CD audio down to about 1.5 Mbit/s (26:1 and 6:1 compression ratios respectively) [2] without excessive quality loss, making video CDs, digital cable/satellite TV and digital audio broadcasting (DAB) practical.
A raw audio file is any file containing un-containerized and uncompressed audio. The data is stored as raw pulse-code modulation (PCM) values without any metadata header information (such as sampling rate , bit depth , endian , or number of channels).
Neither album appeared in charts. [5] Free recorded Fire and Water from January to June 1970 in London, the group using the engineering facilities of Island Studios and Trident Studios. Mike Sida devised the album's cover image, with Richard Polak being the band's photographer. Free produced the work, with assistance from others. [9]