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The manuscript is a codex (precursor to the modern book) containing an almost complete text of the four Gospels on 257 thick parchment leaves (23.5 cm by 17 cm). The following portions are missing due to the loss of several leaves/pages: Matt 4:22-5:14, 28:17-20, Mark 10:16-30, 15:2-20, and John 21:15-25.
An underlying Household Code is also reflected in 1 Timothy 2:1ff., 8ff.; 3:1ff., 8ff.; 5:17ff.; 6:1f.; Titus 2:1–10 and 1 Peter 2:13–3:7. Historically, proof texts from the New Testament Household Codes—from the first century to the present day—have been used to define a married Christian woman's role in relation to her husband, and to ...
Page from Codex Sinaiticus with text of Matthew 6:4–32 Alexandrinus – Table of κεφάλαια (table of contents) to the Gospel of Mark. The great uncial codices or four great uncials are the only remaining uncial codices that contain (or originally contained) the entire text of the Bible (Old and New Testament) in Greek.
These Bible codes became known to the public primarily due to the American journalist Michael Drosnin, whose book The Bible Code (1997) was a best-seller in many countries. Rips issued a public statement that he did not support Drosnin's work or conclusions; [ 17 ] [ 18 ] even Gans has stated that, although the book says the codes in the Torah ...
David E. Thomas (born 1953) is a scientist and software engineer best known for his scientific skepticism research and writings. He is a graduate of the New Mexico Institute of Mining and Technology, and his skeptic work covers the Roswell and Aztec UFO sightings, the Bible code, global warming, the 9/11 Truth movement and chemtrails.
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For the Greek text, he used manuscripts: 1, 1 rK, 2 e, 2 ap, 4 ap, 7, 817. [19] In his research in England and Brabant for annotations on particular words, he had already consulted several other manuscripts and was particularly interested in patristic quotations as evidence of early readings.
In May 1997, Warner Bros. Pictures acquired the film rights to The Bible Code.At the time of acquisition, "[t]he studio's production presidents, Lorenzo di Bonaventura and Bill Gerber, said that the work 'addresses the age-old questions of our purpose on Earth, the meaning of the Bible, and our uniqueness in the universe – all issues that have stimulated the imagination for thousands of years'."