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Dance in India include classical (above), semiclassical, folk and tribal. Dance in India comprises numerous styles of dances, generally classified as classical or folk. [1] As with other aspects of Indian culture, different forms of dances originated in different parts of India, developed according to the local traditions and also imbibed elements from other parts of the country.
Bharatanātyam is an Indian classical dance form that originated in Tamil Nadu, India. [1] [2] It is a classical dance form recognized by the Sangeet Natak Akademi, and expresses South Indian religious themes and spiritual ideas of Hinduism and Jainism.
Indian classical dance, or Shastriya Nritya, is an umbrella term for different regionally-specific Indian classical dance traditions, rooted in predominantly Hindu musical theatre performance, [1] [2] [3] the theory and practice of which can be traced to the Sanskrit text Natya Shastra.
One of the most striking features of Indian classical dance and dances of Thailand, [1] Cambodia, Laos, Myanmar and the Malay world is the use of hand gestures. Speaking in dance via gestures in order to convey outer events or things visually is what mudras do. To convey inner feelings, two classifications of mudras (hand or finger gesture) are ...
Bhangra (Punjabi: ਭੰਗੜਾ) is a type of traditional folk dance of Punjab area of the Indian subcontinent. [1] According to Manuel (2001), bhangra is especially associated with the vernal Vaisakhi festival, performed during harvest season between April and the first quarter of May.
Sitara Devi (born Dhanlakshmi; 8 November 1920 – 25 November 2014) was an Indian dancer of the classical Kathak style of dancing, a singer, and an actress. She was the recipient of several awards and accolades, and performed at several prestigious venues in India and abroad; including the Royal Albert Hall, London (1967) and at the Carnegie Hall, New York (1976).
Over the years, the interest in Garba has only increased. There is a huge interest in Garba among the youth of India and in particular, the Gujarati diaspora. Traditionally, this dance is performed in concentric circles and the entire group performs once step in sync, with the beat starting slow and slowly catching on speed.
The theory of rasas still forms the aesthetic underpinning of all Indian classical dance and theatre, such as Bharatanatyam, kathak, Kuchipudi, Odissi, Manipuri, Kudiyattam, Kathakali and others. Expressing Rasa in classical Indian dance form is referred to as Rasa-abhinaya. The Nātyasāstra carefully delineates the bhavas used to create each ...