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A spectrogram of the soundscape of Mount Rainier National Park in the United States. Highlighted areas show marmot, bird, insect and aircraft noises. Soundscape ecology is the study of the acoustic relationships between living organisms, human and other, and their environment, whether the organisms are marine or terrestrial.
The World Forum for Acoustic Ecology is an international collective of people and organizations who study the world's soundscapes. [6] There are eight groups that make up the World Forum for Acoustic Ecology: the Australian Forum for Acoustic Ecology, the Canadian Association for Acoustic Ecology, the Finnish Society for Acoustic Ecology, the Hellenic Society for Acoustic Ecology, the Japanese ...
These 2 works were adapted to become part of the 1993 book, The Soundscape: Our Sonic Environment and the Tuning of the World - R. Murray Schafer (ISBN 0-89281-455-1) 1977 Five village soundscapes (Music of the environment series) - A.R.C. Publications (ISBN 0-88985-005-4) 1978 Handbook for Acoustic Ecology - Barry Truax (ISBN 0-88985-011-9)
Publications which emerged from the project include The Book of Noise (1968) [2] and The Tuning of the World (1977), [3] both by Schafer, as well as the Handbook for Acoustic Ecology (1978) [4] by Barry Truax. The project has thus far resulted in two major tours, in Canada and Europe, the results of which comprise the World Soundscape Library.
The historical background of natural sounds as they have come to be defined, begins with the recording of a single bird, by Ludwig Koch, as early as 1889.Koch's efforts in the late 19th and early 20th centuries set the stage for the universal audio capture model of single-species—primarily birds at the outset—that subsumed all others during the first half of the 20th century and well into ...
Hildegard Westerkamp (born April 8, 1946, in Osnabrück, Germany) is a Canadian composer, radio artist, teacher, and sound ecologist. [1] She is known for her contributions to and development of acoustic ecology, soundscape composition, and soundwalks, particularly through her work on the World Soundscape Project in the 1970s and 1980s.
The design was implemented by two unnamed Denver men and was conceded to be too expensive to be of practical use. The device was 10 by 15 inches (25 by 38 cm), contained 5 incandescent light bulbs, and the grid was 1 ⁄ 16-inch (1.59 mm) wires spaced 1 ⁄ 8-inch (3.17 mm) apart with a voltage of 450 volts. Users were supposed to bait the ...
Electronic pest control is the name given to any of several types of electrically powered devices designed to repel or eliminate pests, usually rodents or insects. Since these devices are not regulated under the Federal Insecticide, Fungicide, and Rodenticide Act in the United States, the EPA does not require the same kind of efficacy testing that it does for chemical pesticides.
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